The Acceptant History Of The Complementary Set Of Yue Fu

After a few of centuries of silence,Songs has finally achieved its renaissance in the Qing dynasty.In the Qing Dynasty,both creative practice,theory,the learners in Qing Dynasty had gotten an unprecedented height.The continuing to enriching and improving to the school system of school of Songs is built on top of the learners'profound scholarship.After Songs separating from the music mother,it reflected different features compared with its former.The Complementary Set of Yue Fu,as a Songs infection with deeply hidden meanings and rich emotions of people who suffered in the troubled time and experienced the change of regimes,set in the circle of Songs of Qing Dynasty.With the Qing dynasty'learners arranged document of finishing old friends in an ever-expanding range,The Songs collections was foundcontinuously.This same enriched the recognition for for this style of art collection.This paper is divided into three main parts.In the background of changing of the School of Songs'scence and study atmosphere this paper outlined the concerning in the circle of the school of Songs in Qing Dynasty to the text of The Complementary Set of Yue Fu.The first part will be the criticism of the learners in Ming and Qing Dynasty.Because the criticisms coming from the Ming's learner can rarely be found,the explanation will be mainly focused on the criticism of the learners in Qing Dynasty.The learners in Qing Dynasty is very broad perspective of their concerns,including the implicit meaning of the conjecture that the language of art mirror,The stories were research,analysis and other aspects of creative expression.With the prosperity of the Songs'theory in mid-Qing Dynasty and the rising of the school of Changzhou Songs.The Complementary Set of Yue Fu have been more extensive and in-depth.Chen Tingzhuo's study in The Songs Theory of Bai Yu Dormitory is particularly interesed.Moreover,such concerns are reflected in the elected Songs Volums.The ciriticisms this criticism of this period could combine with the history of the Song Dynasty.The form of testimony to the history of the The Complementary Set of Yue Fu which has been criticized was widely used.The second part about the Qing Dynasty:The composing centered on The Complementary Set of Yue Fu in the Qing dynasty and the White Snow Songs Organization in the Republic of China. It would be focus on the Changing of the study of Songs in the beginning of the Qing Dynasty and analysis from the early Qing Dynasty's style of the works for the The Complementary Set of Yue Fu.It includes the linguistic characteristics,text layout features and the composition.The works in early Qing dynasty have the style of Ming dynasty.And theory has been more affected by the study of Songs with the Qing culture changing.It joined in the chorus of the works of art also looks different.Many works are similar with style of the works in beginning of the Song Dynasty.Entering the middle, the Songs began to turn for the deep,emotional intensity increasing with Song outlook closer.Another section would mainly concerns on the White Snow Songs Organization by Xu zhizhang after the Republic of China.Centering on the The Later Complementary Set of Yue Fu printed in 11 and 17 in of Republic of China.It would outline its organization and the wither awatto the community,the community members,as well as creative in terms of time span,starting from the actual work. Adherents reveal the typical mentality.The third part:The Complementary Set of Yue Fu printing's history. For the traditional version of The Complementary Set of Yue Fu,we can draw on the results of more.This section highlights from the various versions of the background compilation series,based on the best available material.This section also have the Selected Songs Volumes included the The Complementary Set of Yue Fu works made a simple sorted.The election also included all the problems and differences exist when a text commented.Finally collating with the circle of Songs in Qing Dynasty's specific circumstances of the actual situation makes certain degree of reflection.Conclusion:In an era of prosperity in highly academic,including the Songs which consistently were regarded as "hearsay".All literature of various literary genres.The creation theory has been almost perfect summary.For the previous literature review has reached an unprecedented height.Buried in a few centuries later, The Complementary Set of Yue Fu came into existence.It was precisely cared for in this larger environment because of the rehabilitation of the study of Songs.It has a long,continuous attention.Adherents of color as one with the text itself are an enduring vitality.However,In backgraoud of the special social and cultural system of ancient China,its silence and coming into exitence must relying on on more things.Because,the text of The Complementary Set of Yue Fu relying on literature describing precisely in the framework of traditional morality system is the most delicate.The study of Songs after the Song Dynasty perished and rised after a difficult process can also be connected with the acceptant history of The Complementary Set of Yue Fu.Since it was rediscovered,it never been interrupted concerned,besides its criticism,chimed in,as well as its traditional historical moment.Its history of the selected songs volums,Successive printing perceive the development of the circle of Songs in Qing dynasty.