| China is has glorious historical the country, the since the ancient times literature creation has the intense historical consciousness, has produced massively about the historical biography. The at the end of 1980s starts, in the Chinese literary arena appeared a large quantities of new historical principles novel, with the tradition historical novel different is, what these new historical novels are more was has carried on by the writer historical idea and the words way to the history with former widely divergent again writing, caused the history to appear once more by the different appearance in front of the reader, caused the people to realize, regarding the history, we were allowed carries on by other ideas as well as the technique renews.Liu Zhenyun in the work "the hometown series" manifests is this kind of novel historical idea. The work by massive instead satirized teased in the traditional ideas the grave serious history, emphatically in the narrative style, the narration content, the expression means carried on to the traditional history dispelled, had the significance in dispelling, while rewrote the history to have the question to the traditional historical idea thus to demonstrate the author different former was new the historical idea which and accidentally constituted by the authority. Compares pond Li, writer's and so on Fang Fang writing, Liu Zhenyun attention spot more centralisms looks after in the stratification plane in politics and the history, this also is areas on which this work is worth studying. This article is emphatically "Hometown Is together from the above these angles to Liu Zhenyun Spreads" carries on the analysis.This article divides into three parts.The first part must discuss is this work narration content as well asthe historical idea.In the novel, the author has unfolded the different former narration content.One is the work between the hero and the unimportant person the difference disappears to the history in makes up. Teases in the narration imagination history but the non- historical evidence certainly is not this work most unique place. The novel occupying of innovation to changed greatly the vision from the former attention unimportant person's partial life has been narrative to the history section In the author writing, character's name all is such uncouthness, even if is the heroic also similarly full mouth bad language smelly fart unceasingly does not have a heroic spirit. The character already did not have the great person and unimportant person's distinction in the work, was the hypothesized characters which the true history hero or author fabricated all already no longer have the special significance. The previous historical period great person possibly turned the lowly grass people in the next time, the opposite grass people also may be reincarnated the policy-maker which into eagerly anticipates the historical development. Character's difference completely is already leveled in here.Two, to significant historical event dignified dispelling. In the author writing, character's difference has vanished, turned the complete mark. But the historical event which decided by the mark also changes no longer pivotally, the very many significant historical activity is only the behavior which the character carries on at will, or is the result which a series of coincidences creates. After throws history which the coin decided, who also can think it is serious the matter which is unable the play to say? The at will historical decision and the historical event development, dispelled passed on in the same historical idea the causes and effects determinism ideology.Moreover we also must analyze author's conception of history which in this work manifests. The authority always is a subject which Liu Zhenyun in the work passes through. Creates at first in him in a series of practical novels, authority on continuously about individual unimportant person's destiny. In this novel, the authority is as before about the work plot development final agent. And extends the rise along with the work brushwork to for the historical development agent.First the authority replaces the class struggle into history change the root. Liu Zhenyun selects the authority achievement to cut the entrance inspection life even the inspection history, the history is by the person and person's active constitution history, but because person's survival difficult position created the person with to earnestly seek to authority yearning for, and therefore has formed take to authority pursuing as the main content historical development process.Next is the author this kind of authority decided the historical development the idea expanded the historical development depth direction. Work through four different times compound narrations as well as therefore forms the contrast structure has drawn the historical development similar conclusion, this causes the authority to decide the historical development the idea could increase a deeper meaning, that is this kind of authority final agent relations not merely were in immediately, in next generation, the next several generation of people was going to exist, but was continues to extend the millennium ten thousand years, it was the Chinese history essence constitutes. Which place doesn't have, which time person to be able to surmount this kind of relations, in front of the authority, the history only becomes one kind of background and the stage prop, since 1100 the development, finally most cannot deteriorate, is this kind with capture to the right hope worship.Is once more the authority and the folk mechanism interaction angle of view.Liu Zhenyun power has been run through works by theme. In his initial creation of a series of realist novels, has the power to the individual about the fate of ordinary people. In this novel, remains in power is about plot development works of the ultimate cause. And works with the brush extends to the history of the motive force for development.First power to replace the class struggle as the replacement of the historical causes. Liu Zhenyun selected as the entry point inspection powers of life or inspection history, and history is from human activities pose to the development of history, And because the survival of the human predicament caused to the power of their longings and aspirations, and thus creating a right to the pursuit of power as the main contents of the course of historical development.Secondly, the author of such power to decide on the historical development of the concept of expanding the scope and depth of the historical development direction. Works through four different stages and therefore parallel narrative of the formation of structure compared reached historical development similar conclusions, This makes power to decide on the historical development of concepts to increase the deeper level of meaning. This is the final authority for the action in the current relationship is not only in the next generation, the next generations will be there, but will continue Millennium indented years, it is the essence of the history of China pose.No place in any era who can transcend these relations, in the face of power, But as a historical background and props for hundreds of years of development, and ultimately the most fundamental of the most corrupt. This right is right and the desire for worship.Once again the power and the mechanisms of civil interaction perspective. The author of the novels depict the power, it is also injected into the bottom of the right people and interaction between power concerns put the power of a critical development is directed at the entire history of the State Construction of the discourse functions of the system in the new stage above. Because the power to decide on the historical development of the final nature of the material due to the power shortage caused by the desire, for a kind of formula, is because power can be material satisfaction, aware of this point we have people for the pursuit of power. Therefore when material interests contradict with the power of the people's choice on a transfer, There is no suspense to choose their own material interests of truth and the power of their longings.Finally, there is that the power to decide on account of the historical development of this process played a role. Chance, not with the power of this discourse is even linked to the development of history as a decisive factor. But Liu Zhenyun stories, the whole history of this is that no one can predict which is the truth of history. Simple, that is, who do not know the real history of what is the nature and how can we know is full of historical accident is not true history? The development of history is really all causality and decisive? Chance pursuit of power can make the process even occurs, unexpected shift from this perspective, Chance, the full history will become less predictable, the direction of historical development has become unpredictable. The development of history will not be progress, development and progress of history here on the digestion.The second part of our focus on what this works, with a narrative strategy and the ways of expression。Liu Zhenyun In this fiction account of a total of four different historical periods story : Three battle of Guandu, Ming diaspora, Empress for the ecology, and Yucheng war, the Great Leap Forward and 58 and 60 years of natural disasters. This series of stories in the narrative, we analyze the works in the narrative perspective, and the method described in this narrative structure with three other past creative differences. Digestion and works in the traditional sense of history for this role.The second part of our focus on what this works, with a narrative strategy and the ways of expression.Liu Zhenyun In this fiction account of a total of four different historical periods story : Three battle of Guandu. Ming diaspora, Empress and Yucheng for ecology, war, the Great Leap Forward, and 58 and 60 years of natural disasters. This series of stories in the narrative, we analyze the works in the narrative perspective, and the method described in this narrative structure with three other past creative differences. Digestion and works in the traditional sense of history for this role.First, it works different from the past narrative perspective. Liu Zhenyun in previous works, Most of the heart than on personalities described the first person perspective is full of knowledge-based third-person perspective. However, in this work, in which the author is used in the full knowledge of the first person perspective. This new perspective is a comprehensive perspective of the first two advantages, but also makes up for their shortcomings. In describing the author's works can be done when acting freely, the indefinite narrative vision to enlarge. Narrative other people can be free shuttle space and time in the history of the process, This is work in itself has a history of digestion traditional concepts of color.Second, the time stayed in the same space plane narrative strategy. Three of the "I" in the evening when the American cartoon, when she came to live in the High Hotels, battle of Guandu inside the application of modern helicopters, Yucheng to set up the "beauty pageant Office." Taiping to the "Treasuries." Time limits are here to break free, the author can mobilize the arbitrary space of the characters are combined together, Time no longer has a dominant role, in this sense, it works to achieve continuity of the historical deconstruction.Third, the author of the description in paragraph 4 alongside historical narrative together with the circumstances similar to the scene, with the same characters were placed in different historical time describing This in itself break the progressive history of the development of concepts, the deconstruction of the progress of history.Then we talked about the performance of this work means.Perception is full of historical satire tone. Works from an overall point of view, parody and irony abound, it can even be said that Perception itself is a grand narrative of history of parody. A few thousand years of Chinese history is interpreted as a ridiculous farce Department, the historical context is set astonishingly similar. and the cycle repeated, thus defusing the historical truth, objectivity and consistency.Not only this, the authors further trick imitation targeting a primer to the historical development of the rule of the ruling class discourse. Through three periods described how Cao Cao with the ruling class instead of the people's sense of self-consciousness of the incident, reveals the power of discourse is created, and only with the social norms and moral values of the criteria established by the real process.This series on the history and the history of political ideas digestion process, through irony of the means to achieve. Irony in the works is no longer topical, but always through work. The author began by examining the object and the distance, cool history with the reality of dealing with each other's mirror image, of a series of farcical history, which rose to the entire social and cultural irony.In the third part of us that this works of the ideological root, or post-modern thinking in this embodiment works.1980s of the 20th century post-modernist thought into China thought after the Chinese literary creation and research activities generate a strong impact. Under such circumstances created out of "Homeland live expression," is hard to avoid the tendency in theory, Thinking shown post-modernist features.First, we talk about work, as embodied in the disintegration of the traditional historical themes and the idea of pluralism. First, the work reflects the post-modernist "queried rationalism and to remove the macro-described" thinking characteristic.In an ideal and non-rational relations, post-modern philosophy strongly opposed to rationalism, emphasizing the importance of the non-rational, pay more attention to the said "faith" and "difference" and "game" the importance of non-renewal advocates the main reason, However rational operation in rational self-negation.The other works also reveal that the center of one yuan and the question of pluralism and admiration. Post-modernism is against the whole Deconstruction and the pluralism world, it that the center / 1 yuan with its antithesis between is not antagonistic, This happens to be through mutual participation and the differences in each other and explained its significance. This digestion and the swapping of two hours, the main idea Analysis of the historical performance of the hero and the hero of the grand narrative digestion.We talk about work again had demonstrated the characteristics of post-modernist narratives.Fiction is the first element of the narrative form and the resulting use of the linear narrative of the main digestion. Yuan novel is the narrator in the text publicly described the novel, the text showed two levels, that the narrative of the story and to describe the behavior described.The second approach is the use of collage. Collage's performance in two kinds : One performance described in the text as the mutual group and form an uncertain outcome intertextuality. Second, due to historical as well as the main digestion, there is only the sense of the random flow of chain and the language only as text, Words must be only as words. Is the entire text of the world by language, which is an important component of.The third is the history and the resulting fracture of the right historical authenticity and decisions on the question. In the post-modernist who see it, history is divided into two kinds of objective facts, a recorded version of the facts of history. And the former has passed away due to the subjectivity can not be truly understood. The latter do not have more reliability, history is questionable. As the text of history are more or less affected by the narrator's subjective feelings and aspirations, History has been Conventionalization desire to become history So write the vision there is no need to be stuck in the vast Chinese dynasties. History lovers civil chang history has entered a written history of vision. History is any interception of debris, were arbitrary combination of lost years of history into a personal talk about the history, naturally there can be no decision for historical reasons.
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