| The early 20th century, along with the Chinese revolution movement of the national awakening and liberation struggle. The subjectivity of feminine artists started to wake up. In the period of enlightenment of New Culture, Chinese women have found self-esteem and to display their talent. The boudoir women started going into the hegemonic position of the male artists, they attended the exhibition, participated display, and even organized a huge organization of women painters, many outstanding feminine oils painters appeared from them. But reads the Chinese oil painting history elaboration, in which concerns on artistic thumb majorities such as Xu Beihong, Liu Haisu, pays attention to the feminine oils painter's writing is brief, also the material is insufficiently detailed. In fact, no matter because the female wants or not, several millennium traditional values still leaves their widespread vestige, because the early feminine oils painter only in depend on relation with masculine to develop themselves, therefore created the feminine art's awkward aspect in the art history.This thesis through inquired about these feminine oils painters who makes the brilliant contribution in the Chinese early time oil painting history, excavates the part of the feminine artist and the feminine art which despised or neglected, summaries in system, analyzes and draws the conclusion. |