Study Of Chinese Ink Using Of Zhejiang Landscape Paintings Since 80's In 20 Centuries

Based on the analysis of Zhejiang landscape painter's works since 80's in 20 centuries, the dissertation gave some personal evaluation to the present condition about how Zhejiang landscape painters use Chinese ink. The full text is divided into three chapters: Chapter 1 talked about the content, the art background, and the specific performance of "Wu Mo" put forward by Mr. Tong Zhongtao; Chapter 2 summed up the development reasons of "Wu Mo" based on the analysis of the geographical and human environment in Zhejiang, the education traditions of Chinese art college and the materials of Chinese ink using etc. Chapter 3 gave the evolution of Chinese ink using of Zhejiang landscape paintings since 80's in 20 centuries, inquired into its over-emphasizing of Chinese ink using but making light of bone lines, and analyzed the reason of producing the phenomenon. The end got a conclusion, that is ,landscape painting of Zhejiang at Chinese ink using have both strength and weakness ,but at the same time "the phenomenon of Zhejiang" has widespread existence in Chinese paintings, therefore, we should clearly see the strength to study; also be aware of its shortcomings to avoid.