The Expansion Of Western Philosophical Poetry

The exposedness of crisis is always with the new theory presenting . Husserl analyzed the European cultural crisis, and he thought that naturalism dual division of subject and object had become completely the obstacles of knowledge study. Husserl asserted to overcame the problem of the division of subject and object once for ever by phenomenological reduction, and he put forward to new theory of existing and being-ontology, and which aroused us to the pursue inner and spiritual world. And at the same time this demonstrated the poetical intention of phenomenology itself.This article mainly talks about the overcome of the dual object and subject of Husserl's phenomenology and describes primitive appearance of Husserl's phenomenology as much as possible, and clarifies Husserl's phenomenology expanded Western philosophic poetry and the aesthetic dimension of Husserl's phenomenology. The introduction of the article mainly generalizes Husserl's analysis of European cultural crisis and the presenting of Husserl's phenomenology .The main text is divided into four sections :The first chapter is departed two parts. The first one ,by analyzing objective rationalism which resulted in European cultural crisis, stresses ,as the result of natural thinking attitude, naturalism dual object and subject led to the presentation of naturalism and objectivity of ration. The second one shows phenomenological poetical intention by analyzing and describing Husserl's phenomenology reduction correcting and overcoming to naturalism dual object and subject.Chapter II, mainly through the describing and analyzing the calling of phenomenology"facing thing itself", tries to analyzes factual expansion of study on the experience of aesthetic appreciation. Based on Husserl's phenomenology analyzing and describing non-proposing"facing"and natural"thing itself", we can find the experience of aesthetic appreciation is original,present direct experience.Chapter III , on the base of analyzing and describing"essence directviewing"of Husserl's phenomenology, stresses"essence"and"directviewing"of Husserl's phenomenology is different from general ones. And based on this thoery tries to paraphrase"essence directviewing"theory expands aesthetic implication. Here, aesthetic implication is not gotten by concept, but a"pure phenomenon"in phenomenon. Therefore, the main way that we get aesthetic implication is not by concept abstracting,logical deduction , but by phenomenological hanging up, after hanging up all non-original things directviewing aesthetic implication.Chapter four ,we analyzes and describes phenomenological intention theory, which shows inner producing of intention in Husserl's phenomenology. Moreover, based on Husserl's analysis on Ahlbrecht's copper prints "Knight, Death and Devil," paraphrase producing and existing way of aesthetic object related to intention. Here, aesthetic object is no longer the traditional and simple objective entity or spiritual entity but a intention-constituted aesthetic objects in aesthetic sense, which goes beyond dual subject and object . Through above, we can find not only Husserl's phenomenology achieves overcoming traditional dual object and subject,but also the inclusive and open theory shows profound significance to western philosophical poetry...