Digital Technique: Esthetics Pondering From Film-making To Film-accepting

At the end of the 1960s, digital technique had been used in some of the movies, it since then had a strong impact on the making, propagation and accepting of the cinematics. The usage of digital technique not only meant the revolution of the film-making, but initiated scholars' futher thinking over the traditional film's esthetics, theory and notion.Although it has shown swift and violent development, digital technique is still in the primary stage currently. Accompanied with its quick improvement and never-ending changes, digital technique needs to further clear on some complicated concepts and standardize numerous categories due to its interdisciplinary characteristic.Digital technique in the thesis emphasizes the digital information processing technology which is based on the computer graphics and has developed with the combination of the computer graphics and the film-making process. The thesis places extra emphasis on the image transform and esthetics significance in respect of film-making and film-accepting.Firstly, the thesis attempts to explore the movie script's changes with the involvement of digital technique in terms of film-making. These changes are concretely embodied as movie types have been more and more plentiful and the stories have has multiple variations.Secondly, the thesis researches into the transform of spectators' accepting when they see a digitally technological movie from the view point of film-accepting. The need of seeking novelty and the requirement of authenticity of the film-accepting are been specifically analyzed in the thesis. The film-accepting polarization which has been produced after digital technique had been involved in the film-making is also ranged over.Finally, the attempting and the success and failure that forerunners of the filmdom have experienced are also analyzed in the thesis. Those analyses are still unfolded from the views of film-making and film-accepting.