| After coming back to the literary world, ZHANG Xianliang has created series of female images, which incline to a same style. Most of these women own good appearance as well as gentle character. Meanwhile, they have an indomitable spirit of sacrifice towards men, either with their body or soul. Viewing the writings of ZHANG Xianliang with feminist vision, we can conclude that all of the features of the female images represent the men's writing of the history. This paper analyzes the historical root of the character"submitting"of the female images, and the female's sex object, in order to criticize the phallocentrism in the writings, and do some thinking of the necessity that women should win back the right of words.Firstly, the paper begins with an introduction of Zhang Xianliang, and the critics on the works of Zhang Xianliang. It gradually leads to the viewpoint of this paper: Zhang Xianliang's works are phallocentrism texts, and the female images in his works have the feature"submitting". Subsequently it explores the historical root of the female's feature of"submitting"The second part of the paper is mainly based on the analysis of the first part, and points out these female images are objects in their spirits. They represent the men's continue writing of the history. |
