Picture Multiplication And The Painting

Before picture multiplication time arrival, the painting was most important method to satisfies the people to the image demand.The painting's status was lofty, also a very major part of the social culture life. Painting in such kind of environment, had all the functions of recording current event, the social event, and recording the people daily life the function; simultaneously satisfies the people to visualize their imagination, for example, religious theme works. Whatever painting displayed which function, it will always make people pay attention to it. It was one of hot spots which the society pays attention.In nowadays, the painting takes parallel relations as one picture manufacture way with the successors. It can be said that, today the picture becomes into the important method of the social life information dissemination has nothing to do with the historical glorious of painting. Today the Audiences of painting still is the small scope, and has lost the whole social's attention.The painting as a picture manufacture way produces the images, for the reason of the cost, quantity and the explanation difficulty, painting obviously lost its own superiority for getting attention compares with other picture manufacture way. But the vitality of painting has not been weaken, if instead by its own historical longitudinal comparison, painting appears phenomenon of the expanded scale, various formats, the changeable style. These phenomenon related to the stimulation by other picture manufacture way. The painting is the victim of picture multiplication time, also is the direct beneficiary.In the picture multiplication time, the relationship between painting and the new picture manufacture way are both have the mutual injury, and the reciprocal benefit. The reason of mutually injures is the painting and the new picture manufacture way mutually diverts picture end product itself, the reason of mutually reciprocal benefit is the painting and the new picture manufacture way diverts the picture constitution element, the picture esthetic sense rule, with information connotation.