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The Character And Amalgamation Of Western Traditionary Skill Of Oil Painting And Eastern Expressive Form Of Painting

Posted on:2008-09-07Degree:MasterType:Thesis
Country:ChinaCandidate:S ZhangFull Text:PDF
GTID:2155360215955058Subject:Fine Arts painting
Abstract/Summary:PDF Full Text Request
As an significant category of painting in western traditionary art, oil painting has been several hundred years history. Oil painting holds inimitable language charm of Art and unique traditionary expressive form, which has been through several history phases, such as representationalism, nonobjectivism and multiform. In order to promote painting the western traditionary art to another higher peak, ceaselessly a large number of artists have been building and consummating the system,which exhausted their painstaking effort in all their born days for finding out a new rule of oil painting language.With the development of science and technology of humen being, Culture and Art of East and West communicated continually and many theoretics of Western traditionary skill of oil painting have been brought to East by many excellent artists of West,meanwhile, much vivid East color has syncretized into painting language and expressive form of West Art consciously by themselves. Therefore,there is a perfect coalescent held rational thought of West oil painting skill and flexible expressive form in Chinese painting .To the question,the text will make some disquisitions for their infiltration and amalgamation from the visual language form of direct exterior of painting itself.
Keywords/Search Tags:Western traditionary skill of oil painting, counterdrawing spirit, Eastern expressive form of painting, lyric spirit, Character and amalgamation
PDF Full Text Request
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