On Mishima Yukio's Affection To The Male And View Of The Nihilistic Death

Mishima Yukio, a renowned writer of Japan, who had been nominated twice in Nobel Prize for Literature. Mishima Yukio, Marcel Proust, James Joyce, and Thomas Mann were called as the Four Representative Writers in 20th century. Mishima Yukio had added many works for treasure-house of world literature, such as the Temple of the Golden Pavilion, Confessions of a Mask and Spring Snow. In the literatural world, Mishima Yukio always have conflict between the human body with the intellectuality, the life and dead, and these conflict had been continuing to living: Mishima Yukio had got married and given birth to son but adored the male body; Be reluctant to leave life but inclined to die; Lived in democratic society of our time but tried to restored the empire that the center is the Mikado, Bushido spirit as the pillar. As conflict becoming acute, Mishima Yukio had chosen to commit suicide for unreal Mikado image ultimately, the blood splashed the self-defence troop. Died after him, research worker of Japanese literature revolved in his works, people loved to dispute the conflict nihilistic world and Chinese.The present paper attempts to drill into Mishima Yukio'literature and spiritual world, combined Mishima Yukio aesthetics ideas and political consciousness, and samsara view of Buddhism nihilistic to analyse his unique sexual view and death view, and to indicate Mishima Yukio finally committed hara-kiri because the unusual sex standpoint with unique death view, And narrated Mishima Yukio who lived in the aesthetic ghost as a "the soft writer" inevitable have the political color when he attempted to put own aesthetics ideas to the practical "the hard motion", and welcomed death by the extreme method.This article divides into five major parts. First part is the introduction. The introduction complies with contrast of attention to Mishima Yukio between home and abroad, Especially the previous situation that the analysis was partial to aesthetics or politics color in the home land to Mishima Yukio, to conceal Man beauty and nihilistic death view, from the Mishima Yukio's suicide and unique aesthetic consciousness and inevitably smeared the political color.Under the introduction, main body of the thesis is divided three chapters. First chapter stated Mishima Yukio love man as a result of family atmosphere of day after tomorrow that the father maternal love is lack and grandmother's excessive authority. To combine Oedipus Complex of psycho-analysis and unusual love and the father power center view of sociology, the day after tomorrow behavior standpoint to analyzes his affection to the saint and the all kinds of homosexuality image in Mishima Yukio's words.In Second chapter, narrated unique deaths view because unusual sexual tendency (namely same sexual affection), historical culture tradition, geography and society, this kind of unique death view also is another big reason that compelled Mishima Yukio to the death.The third chapters , to combine peditction complex and death aesthetics to scan Mishima Yukio how to take committing suicide (death) as a mouth to lead off his unusual sexual tendency, and how to concentrate to emperor of Japan who the symbol of the father power center society because the unusual nature, as well as the reason that he esteemed Leaf to Hide philosophy and selected Bushido and finally committed suicide. Finally to reveal relations between the Chrysanthemum and the Sword cultural model of Japanese and Mishima Yukio'aesthetics on culture anthropology.The fifth part is a conclusion. The basic point of the thesis is Mishima Yukio'hara-kiris, that combine aesthetics idea with politics consciousness to probe into Mishima Yukio's final suicide action (death) because the unusual love and death view. Mishima Yukio hadn't a correct understanding of the democratic society of our time. As the Mikado system had been abolished, he still lived in tradition that the Mikado system is the enter, so Mishima Yukio inevitably lagged behind our time.