| From literary criticism to theoretic construction is one of poetics production patterns. If saying that the western narrative poetics was born in summarizing the Greek drama, we can say Chinese lyric poetics originates from the acceptance of the book of songs. Unlike noting the book of songs in dynasty of Han, Liuxie, explaining The Book of Songs in the literary perspective, clarify Chinese poetry theoretical structure objectively. The dragon carved in the heart of literature provides a case study of a typical text from the acceptance of the book of songs to poetry theories.The thesis belongs to the history of academic research case study. It examines the relationship between the explanation of the book of songs and Poetry theoretic construction of The dragon carved in the heart of literature. Referring to the western hermeneutics and reception theory, this paper investigates the Logic mechanism, psychological motivation and academic establishment mode of two-way construction between two texts.The dragon carved in the heart of literature accepts the book of songs from three aspects comprehensively, including quotation, criticism and conversion. Addition to that, it also consolidates Liuxie's poetics aesthetic ideal of "Yali" and illuminates the thinking of constructing poetics from two-dimensional of "Qingcai". What's more, it reveals the development disciplinarian of literature. The "Modern" interpretation to related poetics proposition, which was born to the explanations of the book of songs, is another contribution to the book of songs and the Poetics Construction. During the circulative explanation, The dragon carved in the heart of literature and the book of songs achieve two-way construction.
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