Against Daily Form By Daily Form

In the late of 1980s, the creation of female writer in Japan is prettyactive and its standard is also well-balanced. Their works have been so frequentlychosen into some pure literary awards such as akutagawa, naoki that even KenzaburoOe looks upon female writer group as the main force starting Japanese 'Newly Novel'.'Newly Novel' called by Kenzaburo Oe isn't a new term fabricated by the authorhimself but one with original observation and rich theory connotation. Its newly pointslie in newly creation approach of writers as well as special narrative angle, uniquenarrative tactics. Generally observing the creation of female writer in Japan in 1980s, wefind that their works reflect bright epochal character concentrating to subject matter inseveral aspects: they would possibly be deeply in love in self-experience writing usingdaily narration instead of grand narration; or they would be more bold in body narrationreflecting liberated female mental consciousness; or they would return to traditionalfamily subject matter reflecting the tendency to re build broken family. What kinds ofart that female writers have been pursuing does the creation intention coexisting withtraditional and modern spirit reflect? Or in other words, what kinds of epochal appealcompromise these entirely different creation intentions? If the traditional family subjectmatter is vigorous for substantial optimistic of classical spirit, and body narration isconfirmed by the reflection of the bold and open of female subject consciousness, it willbe fantastic that the daily trifling narration can be equivalent to the pure literary awards.However, from our point, this is the right effort that female writers use daily formagainst daily form. The so-called daily form is the survival state of the mass after Japanentered postmodern society. When this survival state is pushed to the limitation, thefactors of self-dissolve come into being. The creation of the contemporary femalewriters in Japan not only daily narration and body narration but also the narrationapproach of the family subject matter reflects this 'daily life dialectics'.This essay took the individual writing of epochal character as the starting point todiscuss the writers' art-exploring and life-pursuing behind this writing approach. This essay consists four parts.The first part is an introduction. Mainly introduce current research, content andapproaches, study purpose and value.The second part is the history introduction of the individual writing. Firstly,observe the spirit connotation of the individual creation from the development processof i novel. Secondly, discuss the relationship between female literature tradition andindividual writing in Japan, and explore the possibility and the inevitability of theindividual writing by female writers in Japan since 1980s. Finally, analyze modernsocial culture spirit and literature spirit in Japan to display the utterance environmentthat female writers will face in the new period so as to further understand the creationintention that female writers in Japan use dally form against daily form.The third part is the detailed analysis of individual writing by female writers inJapan since 1980s. Here the new form of individual writing and epochal-pursuing offemale writers in Japan are studied three such three aspects as dally narration, bodynarration and family writing.The forth part studies the creation limitation of female writers in Japan in the newperiod and looks forward to the creation prospect, which expound individually fromsuch basis problem as dally trap and female narration so as to look forward to thecreation prospect of female writers in Japan.The creation of this essay lies in the following points: first, it takes individualwriting as a creation approach connected with traditional i novel, developing as thedevolvement of the epochal spirit, and explores this connection; Second, it furtheranalyzes individual writing of female writers in the new period which make up theresearch insufficiency in this field in the homeland.