The Construction And Disconstruction Of Instinct And Disire

Among the contemporary avant-garde writers in China, Ge Fei is famous for his unique narrative labyrinth. All the comments and appraises from the literatus witness the literature phenomena and the trend of thoughts of this period in contemporary China. He is not only a writer but also a professor, which makes him have more systemic understanding of writing practice and writing theory. Most of the comments from the literatus focus on his texts'analysis, including text narrate, text construction and text taste, etc.. There are also some analysis focusing on imagoes of his texts, trying to summarize the characters of Ge Fei's texts. There are also some people concerning about Ge Fei's creative attitude, discussing his creative challenges through the relations of his text trial and spirit explore. There are few people studying his subcreative.The significance of this dissertation is to initiate the systemic study of Ge Fei's sub-creative. We hope that this study method will become into one of the methodologies, studying Ge Fei's sub-creative. We also hope that this dissertation will be one case study for the beginners discussing subcreative. This dissertation enantiomorphously probes into the text construction and content, in order to clear up how the creative subject's consciousness of thinking and emotion play the role during the creative process. We hope to make clear that how the creative object influences the creative subject, trying to find out the rules of the subconscious creative in one text or one writer through studying the Ge Fei's texts. What we do is to give subcreative a place in the literary creative.There are five parts in this dissertation. In the foreword, it is the brief analysis of the creative process of the creative subject, telling readers that what we concern about is the study of the subcreative of the creative subject and the study method and the study content of the dissertation. In the first part, it begins with the definition and the process of the subcreative, stepping into the case study of Ge Fei's subcreative, that is what we will study in the dissertation. In the second part, we try to find out the process of Ge Fei's subcreative according to the study method we mentioned in the foreword through the text analysis of the imago combination and the emotion stream in the Ge Fei's texts. In the third part, we summarize how the times and the readings influence the creative subject, through the analysis of the time when Ge Fei lives and the experiences of Ge Fei's reading. In the epilogue, we generalize the significance of the study of the dissertation, hoping that the Ge Fei's case study we do can give the subsequent researchers some revelation.