Rupture And Breakthrough

Elfriede Jelinek is the winner of 2004 Nobel Prize in Literature, and she is also the most controversial female writer in contemporary German literature. Her scripts have the intense subversion consciousness. She roots origin of dramatic creation by a parasite way in masculine classical texts, rewrites common stories of the people, rebuilds the feminine images, displays feminine extreme oppressions and distortions under the doctrine culture of man right, through depicting pornography and violence, subverts aesthetic ideas and value judgments in father right value system, expresses the sounds of the female group. At the same time, she has carried on a bold attempt at the traditional dramatic form according to anti-traditional subversive consciousness, has formed Jelinek style drama context. She makes her Script"Liberate from the tyranny of drama role", to be"the declaration of drama liberation"[1]. The thesis concerns about the thought origin of Jelinek's works unique Style Formation , which starts analyzing with her dramas'subversive consciousness: on the one hand , with the influence and impact of deconstruction, feminine identity writing displays rupture with male centralism as a host; on the other hand, in order to avoid suffering threat that deconstruction clears up center present , feminine writer applies herself to a breakthrough for individual identity writing. The thesis probes into the essential of spiritual exploration pursued by Jelinek, acquires a more distinct and comprehensive understanding about her works, her thoughts, and herself.