Zhu Ziqing And Chinese Modern Hermeneutics Of Poetry

During the first 50 years of the 20^th century, the modernism poem tide, including symbolism and modernism, which challenged people's customary thought and the comprehension by different freshness and rebellious style. Consciously, Zhu Ziqing updated his concept of poetry, illuminating the ideas and approach of classical explication of poetry with modern scientific insight, assimilating the new criticism reasonably from the West, which emphasized intensive reading of the text and the ways for multi-mean analysis. He devoted all his efforts to the practice which cut down the gap between aesthetic creations of the poet and aesthetic psychology of the reader, and advocated positively a kind of new poetry theory criticism as the Chinese modern hermeneutics of poetry. The Chinese modern hermeneutics of poetry emphasized the analysis of the poem itself in a microscopic view, taking semantic analysis as the foundation, exerting exploration on internal functions of language, paying close attention to application of metaphor (literary quotation), construction of imagery and organization of language. As for the passage, it searched multi-mean wildly, considered relevancy while opposed random understanding and excessive explain. The Chinese modern hermeneutics of poetry initiated by Zhu Ziqing, in which the text was basis meanwhile it gave dual attention to author and reader, with interaction of these three aspects, the text was endued with open explanations, which embodied the unification between the objective criticism and the subjective criticism. It possessed the scientific values of the modern criticism.Zhu Ziqing hacked his way through difficulties for the birth of the modern hermeneutics of poetry, this action not only affected with the contemporary but also as a positive model for the descendants, also lay the foundation of keynote which solved the comprehensive question of Chinese modernism poetry. It possessed significant theory value and the realistic directions to present poem creation and theory criticism.