In The Conservation And Variation

The Chinese Swordplay Movie is a special kind of film that China contributes to the world. According to the narrative theory of the Russia formalism, the New Chinese Swordplay Movie in the 1990s' way shows the difference to the traditional one in the temperament and character. I will research into the story, the narration, the style and the succession of narration, and make a summary and conclusion thoroughly in the trait of narration, and I also try to understand the people's cultural mind behind the age of the recounted-variation and then disclose it.From the 1990th of the last century, the Chinese Swordplay Movie varied from the collectivism to the individualism. The introduction of the thought of the humanity, the element of the love in the Movie makes the movies show the modern people's form. When the content was changed, the form of the Chinese Swordplay Movies was explored hardly. The most important change is the multiplex narrative means and the unfixed narrative framework. Furthermore the influence originated from the violence and poetry, beauty and magnificence, pathos and humor make the New Chinese Swordplay Movie have the romantic feature with the fragrant of field. And the high-tech also promotes its development and adds more confidence and glory to it. Nowadays, the original value of Chinese and the cultural view have totally changed, and the new cultural view is still being researched and formed. In the conservation and variation, this is not only the deeply responses of the New Chinese Swordplay Movie to the such situation, but also the confused description of the Chinese movie's expression in this altering period.