The Trains Of Thought Of Development Of "Three Kinds Of Singing Styles" And Art Form Comparative Study

"belcanto", "national singing style", "popular singing style", through broadcasting station and the match which CCTV held of Shanghai of the eighties of last century, accept by people sanctified by usagely, is approved of by the public opinion. "3 kinds of singing styles "get extensive spread, they, for demonstrating vocal music art of China in my national capital, promote the development of Chinese nation's vocal music art, the art of acting of vocal music of forming the distinct Chinese characteristics has all played an important role, the similarities and differences of studying they have very high academic value in theory, have very important realistic meanings in practice.This text regards Marxism as guidelines, follow the objective law of development of practice, on the basis of combination of thoery and practice, combine experience and understanding of teaching of one's own vocal music, research law and comparative study law are main means by deducing, comb train of thought of development and spread course in China of " three kinds of singing styles ", and compare in the similarities and differences of respects such as the aesthetic, aesthetic consciousness of culture, skill of singing and singing the style,etc.s the three, carry on deep analysis and discussion. Propose though " three kinds of singing styles " are planted in different cultural backgrounds, influenced by the historical factor in this area and tide of people's train of thought, in developing the train of thought, having shapes, singing the way, aesthetics temperament and interest, style characteristic etc., there is generality that also has distinctions, this is that they go on to the foundation blending more. The common characteristic becomes " artistic gene " and " blood relationship " that the three blend each other, the difference can learn from each other while enabling their three, draw lessons from each other, learn from other's strong points to offset one's weaknesses. In the long-term artistic practice, " three kinds of singing styles " collide through long-term culture, break-in, after exchanging and studying, forming in a country finally one has me among you, have you in me, expand and merge and coexist, the singing style with this national characters passing on and innovating constantly.