| Accept-aesthetics is a literary theory which is as the reader to the center. The comment on《Golden Lotus》of Zhang Zhupo fully embodies that the reviewer-this special reader actively participates in the works. Accept-aesthetics corresponds to the comment of Zhang Zhupo on attaching importance to readers. For this reason, this paper tries to study through put the comment on《Golden Lotus》of Zhang Zhupo into logical framework of the west accept-aesthetics, and try the best to make the content which is seemed as trivialness in the comment of Zhang Zhupo having more Theoretical connotation, to make better grasp and understanding of Zhang Zhupo's novel theory.This paper will fist talked about "look forward vision" the most well-known aspect in accept-aesthetics, and the important theorists-Yao Si divided it into life looking forward vision and Literature looking forward vision. While, the experience of Zhang Zhupo and the effect of the Confucian traditional idea to him make up of his life looking forward vision, and affect his understanding to the content o《fGolden Lotus》and his analysis of figures in《Golden Lotus》at first hand. His direct succession to the aesthetic experience of predecessors makes up of literature looking forward vision, and there are similar aspects to the comments of Jin Shengtan about《Outlaws of the Marsh》in the critical style, the view of literary creation and specific techniques of comment. The life looking forward vision and Literature looking forward vision of Zhang Zhupo decide the aesthetic view and the theoretical tendency and even the theoretical content when make the comment on《Golden Lotus》.Then, this paper carries idiographic discussion through placing the content of Zhang Zhupo's comment into 3 grades'reading of accept-aesthetics. In the theory of accept-aesthetics, it divides the reading of readers into three stages. Grade 1 reading belongs to the expatiation of primary reading, and it is the aesthetic induction phase. This paper places the Zhang Zhupo's intuitive feelings of text trope in《Golden Lotus》, emotional devotion and aesthetic intervention for the text into grade 1 reading to study. The above way could fully embody the most basal aesthetic experience of Zhang Zhupo when he was reading《Golden Lotus》, while those diction which was censured a lot for its trivialness get more theoretical connotation for this method.Grade 2 reading is the interlocution logic which is sensitive experience occured in re-reading and reflections on reading, and is the reflection and interpretation to the Works's deep meaning. Some insights Of Zhang Zhupo's comment should belong to this kind of production by constantly reflecting on reading. First of all, Zhang Zhupo recons, Writers should adhere to true life and objective logic of the transformation of characters'mettle to indite fiction. This could make the occurrence and development of characters and events more fair, reasonable and convincing. Secondly, "Gaps" in the accept-aesthetics means the parts of what is not written or not clear written in paper. They are the parts which were implied or tipped by what has been really written in this paper. Zhang Zhupo notes"hidden"and"interludes"are a kind of "Gaps" sensitively in the course of reading and the comment. He concretely analyses a series of writing techniques, and thinks these ways of arrangement of plots can truly make the day-to-day activities of figures recur, and can make readers have the initiative when evaluating the figures and events in works, and can create sufficient space to the reader's imagination. Again,"denial"in accept-aesthetics means that when authors express praise or criticism to the characters of his works, do not rely on the expression in this paper to demonstrate, but shows according to what is implied in this paper. Through reflections on reading, Zhang Zhupo considers the description of Yueniang by the author is a"denial"writing method which is putting praise or criticism into complex events. He thinks although the author repeatedly praises Yueniang, the description of specific acts of Yueniang is composed of derogatory implications. The article creates an image of an evil woman. There is contradiction between the image of the evil woman and the image of Yueniang that is praised by the writer, and in other words, they can not inosculate. Just because they can not inosculate, it arises the thinking of readers to the image reparation.The third grade reading is a historical reading, the elaboration is carried out ranging from the natal time and procreant precondition of the works. Before Zhang Zhupo, there are three major divergent views of critics for the《Golden Lotus》. The first view gives the artistic achievement and social role of a high appraisal. The second view recognizes that there is certain value of the texts of《Golden Lotus》, and gives negative opinion up to a certain extent. The third view considers that《Golden Lotus》is useless and there is extreme bawdry in it. Zhang Zhupo denies the two late critical attitude, and chooses critical succession to the first. He affirms the value of《Golden Lotus》, and can also objectively look at the description of obscenity in《Golden Lotus》. He writes《The Review Of NO.1 magic novel is non-sex novel》, and points out the differences of "Erotic Literature" and "Pornography". He considers, the distinction of them is the purpose of the description of sex. If the writer's original idea is to create figures, the description of sex exists as a foil, then this literary works should been designated into "Erotic Literature" areas. Because the description of sex in《Golden Lotus》is inevitable requirement for the theme, he thinks《Golden Lotus》is non-sex novel, and from then on he changes the filthy repute of《Golden Lotus》into good one in deed.In the comment of Zhang Zhupo for《Golden Lotus》, there are a number of analysis of writing methods, and many scholars have studied them using western narratology. However, this paper through the theory of looking forward vision of accept-aesthetics and 3 grade reading, unscrambles the novel's comment of Zhang Zhupo, and tries to use the method of comparison between Chinese literary theory and western literary theory to provide more space for theory in novel's comment area, and could help the research on Chinese ancient novel theory to get more development in the feature.
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