Research On The Construction And Acceptance Of The Oriental Aesthetics Of Chen Kaige's Films

Chen Kaige's films show the aesthetic characteristics of Oriental images under the influence of Oriental traditional culture.Many of his works have made in-depth exploration of the inner spirit of Oriental culture in terms of ideological connotation and image style,presenting the temperament and poetic style of Oriental traditional art.The formation of this aesthetic style is inseparable from his childhood in the eastern society and deeply influenced by traditional culture.We can understand the poetic spirit,the concept of Confucianism,Buddhism and Taoism,and the aesthetic paradigm of image and blank in the eastern aesthetic system contained in Chen Kaige's works.In terms of content,its eastern aesthetics is reflected in the reflection on the fate of life and the attention to the emotions of characters.In terms of form,it shows the use of unique mirror language such as picture and color.However,Chen Kaige's humanistic care and cultural reflection make his works always have a very profound thought,and too profound film connotation and obscure way of expression make his works to a certain extent to accept the dilemma.Based on Chen Kaige film as the research object,from the perspective of Oriental aesthetics,focusing on the analysis of his works theme,emotion and image style of expression of orientalism,trying to discuss the film,the phenomenon of the poles evaluation and the reasons,at the same time also analysis of Chen Kaige's contribution to the Chinese film and meaning,and reflect on the film creation.In addition to the introduction and conclusion,the main content is divided into the following four parts:The first part summarizes the creative process of Chen Kaige,so that readers can have a clear understanding of his works and awards,and introduces his personal growth experience and historical background,so as to explain the impact of his life experience on the creative style.The second part analyzes the construction of Oriental aesthetics in Chen Kaige's films.This part first briefly summarizes the possibility of constructing Oriental aesthetics,and then discusses the construction of Oriental aesthetics in Chen Kaige's films from three aspects: theme,character emotion and image style.This paper analyzes the eastern implication of the theme in his works,the eastern emotion between the characters,and the eastern atmosphere expressed poetically.The third part,starting from the subject of reception and combining with the theory of reception aesthetics,discusses the audience's acceptance of the eastern aesthetics of Chen kaige's films.This part mainly analyzes the acceptance of ChenKaige's films and the difficulties of acceptance,and explains the similar aesthetic concepts of the fifth generation directors and the influence of various factors on Chen Kaige's creative psychology.The fourth part summarizes the contribution and significance of Chen Kaige's films to Chinese films,and explores the inheritance of his films to Chinese excellent traditional culture.At the same time,it also reflects on the creation of Chen Kaige's films and analyzes the existing problems and shortcomings of his films.