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The Influence Of Chinese Folk Art On Modern Art Design

Posted on:2009-01-12Degree:MasterType:Thesis
Country:ChinaCandidate:X L SunFull Text:PDF
GTID:2155360242482346Subject:Art of Design
Abstract/Summary:PDF Full Text Request
20th century China, the overall immersed in the handicraft industry from an agricultural to industrial civilization and civilized modern trend in. The 21st century, mankind has entered the computer as a platform for the information age, as a traditional cultural patterns of Chinese folk art and modern art has just started the design, is found on the magnificent reform in the face of modern Western design ideas of the impact of globalization of the world economy And the impact of cultural pluralism, the two inevitably faced with severe challenges.First, folk art and the development of modern art and design background Industrial civilization of traditional life changes. The industrial revolution of machines to replace human, to replace the individual large-scale factory production factory production of a manual production and technology revolution, the industrial revolution has promoted the rapid development of social productive forces has greatly improved labor productivity, and to eventually replace the commodity economy A natural economy.New technology to promote the emergence of modern art and design development and the emergence of new technology also continue to impact on the traditional folk art manual.The development of urban society is the inevitable product of the development of productive forces, is a historical process of social development, is associated with the phenomenon of the industrial revolution. Urbanization is the development of productive forces as a result of people's mode of production, lifestyles and behaviour change in the process. Traditional folk art with the urbanization process which gradually lost the growth of the traditional social base, the traditional folk art gradually decline and disappear. With modern art design of the development of blind city gradually lost their national characteristics, design more similar.Western thought the impact of modern design of the traditional aesthetic concepts, has shaken the foundation of traditional arts, and strongly to create new forms of language and visual reference to the provision of new ways.Globalization of the world economy on the world economic, political, military, social, cultural, and other people's way of thinking has caused tremendous all aspects of the impact. This forces the same strong impact on China's traditional folk art and modern art and design. In that a profound change, no country can not be avoided, the only way is how to adapt to it.Second, folk art and modern art and design development of the status quo Social change destroyed the folk art tradition of social infrastructure; folk art market space has become narrow interests, leading to the Civil craft a sharp loss of some precious cultural heritage, is slowly lost with the new technology impact on the folk art Traditional crafts. Individual traditional handicraft production, the industry must be replaced. Reform and development of more than 20 years, China accelerated development of modern industrial civilization of the historical process of social, folk art lost its original ecological environment in the most important factor. Modern Art Design blind pursuit of international, modern design tools and the excessive dependence on the same time, education also reflects the design of the weak.Third, the types of folk art, and its artistic valueIn drawing on the basis of their predecessors, from the folk art of the practical and aesthetic point of view, from satisfying people's material life and spiritual needs of the perspective of folk art will be broadly grouped into eight categories, civil paper cutting, civil woodcut New Year pictures, civil Paper Ying, civil toys, folk pottery, folk sculpture, civil printing and dyeing, embroidery and brocade civil. Research on the basic characteristics of folk art: practical and aesthetic, symbolic and abstract, regional and essential. Based on this study with rich spiritual connotation, profound aesthetic implication of the artistic value of folk art.Fourth, folk art to modern art and design development impact1, folk art approach to modeling the impact of modern designChinese concept of yin and yang, a long, deep-rooted. In various concepts of yin and yang is probably the most basic concept. Yin and yang, the original meaning refers to the Xiangbei Nikko, Japan for Yang, on the back for Yam, has been extended for the cold climate warming. Ancient thinkers see all phenomena have both positive and negative, yin and yang used to explain the concept of the natural world and the two opposing forces of mutual growth and decline of the material. Judging from China's original art to folk art, the concept of yin and yang elements gossip has always been the philosophical foundation of modeling.Folk art conformal modeling concept is the most widely used form of a way. "Conformal shape the image of thinking is an important part, it seems to be a non-law of the law, restricts creativity in the shape and composition of the produce."Modeling the concept of a symbolic metaphor, symbol of the way it contains the meaning of the expression, is a poetic imagery, but also feelings, life and personality of the image. It is an analogy of, the nominal modeling methods.2, folk art colorful language on the impact of modern designAncient Chinese yin and yang elements of the popular, with yin and yang elements corresponding to 4 pm, the Quartet to explain everything in the world and the Health Consumers cycle, and with five colors to express. Black, white, red, blue, yellow color symbolizing the five elements of the yin and yang, is also China's ancient colored said. It is the traditional color art with the basic criteria, as orthophotomaps five colors that occupy important positions, especially in the folk, apparel, and other social patterns, the five colors that is always the guiding spirit. Therefore it can be said that the symbolic color in the ancient Chinese philosophy, aesthetics thinking, is of great significance.Folk art colors and graphics to convey information, graphics, folk art is the color to reflect the important conditions, but in some cases, color graphics and a breakthrough protagonist. In the design of modern art, folk art and color graphics as a combination of form is that people are willing to accept and love as a form of visual language.In the current Chinese society under the forms of modern design, how to deal with international relations and the nationalization of the problem, study its core is the traditional treatment of ethnic and cultural attitudes, the paper that inherit and carry forward the traditional folk art to modern art in the design of the international Process to maintain their national personality.Folk art heritage, the need for this nation's deep understanding of culture. The development of modern art design is certainly in the localization at the same time, we should also not limited to the traditional Fan Li, and more foreign to some sophisticated design, and more carefully to the international aesthetic fashion, and more use of advanced technological means, from the form of sublimation, Nationalization of the formation of the ideals and the international combination of all forms of local culture is to be refined and distillation, and can not be Shengbanyingtao. Only by so doing can we promote the cultural promotion and exchanges. Only defined the "nationalization" and "internationalize" the essence of a proper grasp of the relationship between the two, folk art can be the true successor, the modern art design can be better development.
Keywords/Search Tags:Influence
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