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The Field Of Art About Pierre Bourdieu

Posted on:2009-04-02Degree:MasterType:Thesis
Country:ChinaCandidate:S H WangFull Text:PDF
GTID:2155360242494502Subject:Art
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Pierre Bourdieu (the Pierre Bourdieu, 1930-2002) is the thinker, sociologist and critic of art and literature of the French contemporary .The works of Pierre Bourdieu are plentiful, breaking the boundary of the academics, learning from the anthropology, sociology and the pedagogy to the history, the linguistics, Journalism, politics, philosophy, literature, art, the esthetics research, all have to study. Put forward a series original thought category also with the novel academic frame. Pierre Bourdieu have concerned focus the art and the esthetics realm for a longtime .The Pierre Bourdieu has no tight and great system, but has strong problem consciousness, crossing over several academics realms, finding out those phenomenon and the problem that is covered by the traditional academics systems." Field area" is his basic theory, occupying an important position in its sociology systems of thought. The"arts field"thinks the art research not only wants to consider an art essence, artist and accepts factor only, but also needs to investigate to include critic, art publisher, museum, art gallery, college, the art association...etc. They form art doer conduct and actions field system. All the internal doers in"the art of field"achieved the value of the art object thus mutually, which re-appeared many main factors that traditional art researches have been neglected.The theory about"the field of art"is an art study from the sociology angle. Along with the arrival of the post-modern art, the structure and form of the traditional esthetics is broken. In the situation that esthetics standard has already expired, as a kind of main factor which cannot be neglected, the social language enters the art theoretician visual. The art study about the sociology angle is also a trend of art theories research. The theories about art of the field was exactly showed up under this history background. The domestic accepts the Pierre Bourdieu starts at the beginning of 90's, much of them concentrated in the sociology, anthropology realm. The research of domestic criticizes is less than that in the western. It is not a thorough system of the angle to the Pierre Bourdieu in the art. This paper is divided into five parts. In the introduction Bourdieu's method of the arts field theory is introduced by qualification of some classic modern art works of the 20th century such as "the Spring", so is a brief description of background and the domestic study status of the arts field theory. Chapter I is mainly about Bourdieu's life and this academic track, and the ideological theories of its origin is sorted out and Bourdieu arts field theory is concluded from which its unique approach to the theoretical perspective is spied on. Chapter II we found that field, habits and capital is the core concept through the works of Bourdieu's study. So the three concepts of the art market is particular dissertated. Chapter III is the pivot of this paper. Through the artistic field theory of the study, that the phenomenon of Fang Lijun corresponds to this theory in the "the lost win" logic is found. Much material and interpretation about Fang Lijun now is mostly confined to the artistic language, style and form of the market works ideological reading, use level, and this chapter analyses the logic of the struggle of the artistic field dialysis, and other aspects of the art market structure and operation logic for the case to Fang Lijun from the belief in art production, art market eligible, the loser is the winner, thus try to find a new interpretation from the perspective of the art market Fang Lijun. This typical case to look at contemporary art opens in new ideas;Chapter IV is a rational look at the significance of the theory of blind spots of the arts field theory and the art research on the other hand. Bourdieu's sociology is from the perspective of involvement art, which is his insight. People can find the fact which has often been ignored. But this also constitutes a blind spot in his theory. That Bourdieu takes the arts as a sociological issues to deal with the tendency makes it easy to forget the significance of art itself, it will be art Disenchantment for commodities, the main negative artists and creativity of limitations.This text tries to research "the field of art " from the art theories and the critical angle, and try to have the benefit of providing a new angle of explaining the numerous and complicatedly art phenomenon now.
Keywords/Search Tags:The field of art, habitus, the capital of cultural, Fang-lijun
PDF Full Text Request
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