The Comparative Studies Of Shi Zhecun's Novel And Japanese New-feeling Genre

Shi Zhecun is a controversial figure on comparative studies between Chinese New-feeling genre and Japanese New-feeling genre.Although Shi Zhecun was unwilling to admit that he belonged to Chinese New-feeling genre,researchers always compare his works with the ones of Japanese New-feeling genre.The thesis is trying to make a detailed comparison on the acception to the Freuds theory of psychoanalysis between Shi Zhecun's novels and the ones of Japanese New-feeling genre.Both of them accepted and discussed the Freud's theory of psychoanalysis,but the way of acception was different. Shi Zhecun broadened the theme of composition through Freud's theory,enclosing his instinct theory and unconsciousness doctrine into composition.Just doing so,he made a exclaim for human's nature subsistence.While Japanese New-feeling genre much more appreciated the problems of free association supported by Freud's theory,because it offered them the limitless subjective freedom.At the point of expressing objection,both of them went deep into the subjective world.The distinction between them was that Japanese New-feeling genre paied more attention to exhibit the subjective feeling and subjective emotion,making the works full of subjectivity,but Shi Zhecun was trying to excavate and exhibit human's instinct and unconsciousness.At the point of ideology and content, Japanese New-feeling genre used brand-new literatural norm to show out the basic relationship of human's subsistence,as well as the meaning and value at the badly distorted society. Shi Zhecun embodied the solicitude for human subsistence.Their unique glamour came from the social and cultural background.