"Dancer In The Dark"

It is 30 years since the political event that was named"Proletariat Cultural Revolution"and disturbed China broke out; the pain that the unprecedented civil war brought, however, is hard to relieve. The red years is the painful memory for several generations in China. Modern films depict that historic situation vividly and display the tenacious vitality that Chinese people show in the disaster.After the Cultural Revolution starts, in the air of ultra left thought's spreading and individual admiration, review of the masses, expose, the struggle campaign of a big scale began in the cultural area, extended into the Ideological and political area, and finally immersed into the area of production, which shook everyone in China. Film is a kind of media, and it can make up circumstance where people can cure them in psychology and adjust their ideology. Model opera is a means of the extreme of political idea in the film circle. As a special ideological carrier, it not only abruptly violates the article regulation, but also damages the essence of film. Meanwhile, it leaves Chinese film double obstinate disease in the false content and extreme hipping.In fact, the grasp that the modern films have on"the Cultural Revolution"originates from three angles of view. Whatever is the feature film that cheats people about"the cultural revolution"or is the film that shows the hurt brought by"the cultural revolution", they are both refer to the history of"the Cultural Revolution"and the relationship of social politics. Such people isn't meaningful but we need the masses endowed ideology and relief. The calling back of indignity, value, true feelings of people finally realizes the reflection of the true life of people and magnification of people's emotions and people's conditions. The"the Cultural Revolution"image from the late 1980s to the early 1990s considers the relationship between the history of"the Cultural Revolution"and Chinese culture from the cultural perspective. The 5th generation directors put the history back to us and find the left social body is the continuation of China's traditional pan-political integration. They view their personal experience as the creative resources. They also find the tenacious vitality of the Chinese people is the source of cultural vitality, cultural resistance is a powerful weapon for Chronic Illness, which leads to the vision of the cultural history and cultural destiny "human" spirit of dialogue. The image in the middle and late 1990s, from the personal perspectives of the history of thought "Cultural Revolution" and the history of the relationship between the secular lives. Competition in the context of complex, a new generation of filmmakers to "private memory" posture of the most common concern of mankind confused youth growing anxiety and self-recognition, through the "Cultural Revolution" of reliving nostalgic mood of self-life experience, find self-worth of recognition, and conducting self-spiritual salvation. From what perspective are pondering the "Cultural Revolution" of history and human relationships. Relations between the four groups outlined the "Cultural Revolution" in China's new era thinking of images and concept art of simultaneous advance the Evolution of the tracks, with the party's arts policy change, change of artistic ideas, the creative team and accept inter-generational transfer of mentality is closely related to factors such as evolution. These factors reinforce each other, an exhibition of the film in Variety's "Cultural Revolution" video, and it shows China's society in the new period and modern face of the ideological outlook of the Chinese people.Contemporary Chinese movie in the first of the "Cultural Revolution" itself as a performance target is the "Cultural Revolution" of the post-production films. Through implementation of the Model Operas film "three prominent" principle and "4th tactic" mode, they use images of people of concern and imagination so that the people unconsciously accept the design of fiction history.1977-1980 Creation in the face with the performance of the "Gang of Four" struggle videos expose the "Gang of Four" numerous crimes in the political and organizational. Then allegations of the "Cultural Revolution" to the people of the emotional scars left behind. Unfortunately, the original aspects of the arts has still not explored from conceptualization instead of focusing on performance. In the early 1980s of the "Cultural Revolution" theme films, took the "reflection" in the ideological proposition superscript write on the banner of liberation. "Left" brutal authoritarian rampant development to the modern spirit of the extreme degree of superstition, plotters harmed result of all goodness, and beauty missing humane society as a whole, the concept of human nature is not perfect, from both reflect on the "Cultural Revolution" the causes for the tragedy. In the late 1980s to the early 1990s of the "Cultural Revolution" video, a modern reflection of the spirit of critical consciousness from the previous social and political fields, ethical and moral evolution of the field to the field of culture, traditional Chinese culture trampling on the fact that the iron torn Under this advanced culture has always flaunted the hypocritical mask of political fraud. Experience and self-perception of the image performance to participate in the rewriting of history and reflect on the cultural, human magnificent film, the film is full of contemporary Chinese art of showing a profound new and fresh look. Since the mid-1990s the "Cultural Revolution" images, sentimental nostalgia to the emotional tone, in the depths of memory fragmentation and sincerely face the youthful experience spiritual growth. They include the "Cultural Revolution", the history of the master is the master of private experience.In the audio-visual effect lifeline for the film arts, image-building, space modeling and content must be explained through visual language film show, and direct recourse to the senses, in order to further role in the thinking. Contemporary Chinese movie performance of the "Cultural Revolution" is the primary characteristics of video art, action figures of portraying psychological. On the one hand, through the actor's performance means to people in this situation normally Probe into the heart, thus synthetic characters, who outlined the ideological mood changes, the performance of contradictions and conflicts between people; On the other hand, using various audio-visual tools in a variety of display screen characters subjective world. The second characteristic of video art is the rehabilitation of social and historical environment of the "Cultural Revolution". Whether the focus from an objective point of view and lifelike reproduction, or focus on the subjective perspective presumptive performance, to the Chinese audience a strong visual impact and a strong artistic influence. The third feature art, embodied in the film creators of the content of their history and the profound thinking implicit in the context of wisdom Aesthetic Imagery, with the audience sensitive and artistic life of the sensitive aesthetic image of the metaphor, symbolic performance Quest interpretation, will be great interest in the aesthetic space and broad thinking. In addition, the aesthetic image in the "Cultural Revolution" to perfect images revealed creative thinking of the key still lays creators and the audience's love betting and dedicated understanding.