On The Aesthetics Of Traditional Chinese Drama And The Modern Evolution

The article talked about the evolution of Chinese traditional opera, and to attribute its aesthetic spirit, analyze causes, from a different perspective on trying to such cultural phenomenon in modern China, no longer dominate the classical Chinese opera stage, the emergence of new forms of drama , The Chinese drama of a major change for this exploration of contemporary Chinese culture in the succession to provide a reference.Chapter 1, on the traditional Chinese opera's unique aesthetic, with empirical attributed to the four classical Chinese opera aesthetic qualities, the exposition "and the beauty of" the aesthetic ideas;Chapter II, biased towards the opera aesthetics to parse from internal and external factors trying to start looking for the kernel and try to use the comparison of Chinese and Western drama of ways to consider Chinese opera;Chapter III, on the aesthetics of traditional drama of the evolution of the modern, Western East of modern China, Xinju a subversion of the nation's existing theatre is envisaged that this is not groundless, and in Chinese traditional inheritance and innovation, academics Should also make their own prescriptions.General, the spirit of traditional Chinese drama should have her unique United States, and how better to renounce tradition, is committed to the field of the humanities compulsory.