"Universal" In The Classical Opera

This paper discusses that the "unified" thoughts on the impact of the opera, and the "universal" ideological content is contained in the opera. The two systems was related with an objective discussion, then assess Opera's Literary value and aesthetic value in the "unified" under the influence of classical thoughts. Thesis is divided into three parts: First, the "universal" ideological and cultural origins, development and socio-cultural impacts; Second, the "universal" influences classical drama, which involves five aspects - the origin of the opera, thought implication Characterization, Narrative, Structure,outcomes; Third, the "universal" theory impacts creation and acceptance of opera's value judgments.on the basis of reading "the Yuan Drama", "Top Ten Classical Comedy Collection" "Top Ten classical tragedy set" and so on, see through the relevant historical, literary criticism, literary theory information, the Great Unification, drama text and comments, aesthetic and psychological books and papers. In the paper, the focus in the grasp of the text, based on the care of the Great Unification, the main paper "Unity" on the impact of drama and opera contains the "universal" related content, the links between the two systems of and objective discussion and assessment in the "unified" under the influence of classical drama of literary value, aesthetic value. Note that the text is not out of the body, proper use of analysis, comparison and conclusion, the general contact and so on, and strive to elaborate clear.As a cultural phenomenon "Happy End " is unique cultural phenomenon, appeared largely in the drama in the Ming and Qing Dynasties. The paper traces the "universal" traditional historical and cultural origins in the psychological structure of Chinese culture, then analysis by the traditional Confucian literati in the Ming and Qing particular the creation of the background of psychology from the opera Writers. Analysis of the "reunion", "and" infiltration as a cultural phenomenon in the ancient drama, opera and to the ancient audience loved by the majority of psychological and aesthetic reasons from the general public moral, psychological aspects of aesthetic entertainment drama art itself with the characteristics of style,.It is this "universal" in the ideological and cultural traditions forged in a way the Inner Meaning of Chinese classical opera. There will be the classical theory value and aesthetic value on the literary exposition of the value of social theory to some degree, and elaborate further that China's unique national characteristics of classical opera.