The Study Of Chopin's

is one of Chopin's important works which he created for the piano and the orchestra. It plays an important role either in Chopin's creation career or in the whole development process of the piano music. This work, with romanticized music serving as foil, introduces the folk music into this kind of large-scale music literature style like concerto, which is a pioneering work. It symbolizes that the national consciousness of repressed nation had already achieved a higher level in the European traditional classical music literature style.This article takes Chopin's as the object to study, carrying on the elaboration in 4 chapters.The first chapter mainly introduced Chopin and his concerto. It induced and discussed the origination of Chopin's creative inspiration as well as different styles of piano music in different times by elaborating his biography and his creations. Furthermore, this paper analyzes the background of from the society, the culture and the reality three aspects separately.The second chapter made a thorough analysis of from the aspects of musical form, harmony, melody and fabric. The first movement is maestoso, f minor, 4/4 time, has a warm and bright mood, and double presentation sonata type. The second movement is largehetto, bA major, 4/4 time. Vice-Trilogy with introductory music and coda,, having the ambience of romanticism by using the nocturne form, and the emotion is expressed sincerely. The third owned allegro vivace, f minor, 3/4 time, mazurka rhythm. The reappeared sonata type music in the abbreviation part ran fast and smoothly, and the mood acted so bold. All of that described folk style scenes with fresh prospects and vivid images.The third chapter mainly summarized the creation characteristic of through analyzing the essence with the following four aspects: the music structure, the melody, the rhythm and the harmony. In music structure, through the contract of the musical form structure of this work and the typical classical concerto musical form structure, it summarized the inheritance of classicism concerto structure and the personalized innovation of national style of this work, and emerged Chopin's inheritance in concerto creation and his innovative spirit in this area. In melody, by centering the elaboration on the vocal and colorful melody, it fully displayed Chopin's unique artistic style and distinct romanticized characteristic in melody creation. In rhythm, with the analysis of the third music movement's rhythm, we could learn the rhythm of mazurka which penetrated the entire music movement and which had typical Poland national characteristics, the national characteristics of the work, and the primary form of characteristic rhythm. Furthermore, it revealed the national essence and the origin material in Chopin's works. At last, in harmony, from the aspects of linearity and the sound thought of semitone, the counter-function harmony proceeding in breaking traditions, the harmony technique in function-extended, the charm in detuned chord, the blending of sound rhythm and music situation, it analyzed and summarized the distinct romanticism in harmony arranging in the work.The last chapter elaborated the deduction of from four aspects: inducing the diversification and different fabric of the melody, elaborating their performance characteristics thoroughly in melody, abstracting tempo rubato of this work to carry on elaboration about its main point in performance, deducting the footboard's reasonable utilization and coping the relations between piano and orchestra correctly.