Interpretation Of Cartoons Of The Painting Language Cultural Values

"Cartoons" of the art in the shelves of contemporary art today has occupied a large proportion, since the "Eighth Five-fashion" Coubu the beginning of the art of China in Western contemporary art, Western art can be said is the origin of Chinese Contemporary Art, Chinese art has always been inclined to Western art. But when the "cartoons" Art arise, many people take exception to, because it is contrary to Western aesthetic tendencies.Background relatively simple "70,80 after" generation, in the absence of a sense of the suffering of culture, has made them feel self-life in the birth of the "cartoon" Arts, some of them because of this painting is stylish and painting, and do not love, and may be part of creators because of the serious oil painting of Converse and painting, or simply there is no reason paintings, the significance of this paper is to explore this trend at the root paintings, oil paintings, as well as such by the demands of the concept of language I hope for this controversial form of painting for theoretical basis. Text consists of five parts:Part I: very beginning of the article describes the origin of traditional cartoons. And the "cartoon" definition of explanation in this part of the next section were described in the traditional "cartoons" cultural origin in Europe, the United States and Japan to the development of the history and demonstrated by the different look and then were expounded China's traditional comics and the "export" cartoon different manifestations in China, on the first part of the main purpose of the following chapter Zuopudian.Part II: combing contemporary Chinese art history and the "cartoons" face of the modern art background. This paper described "cartoon" painting originally belonged to China in the context of contemporary art, it is necessary to understand the nature of their culture, are needed in China in the context of contemporary art find its root causes, the article will be the first of the second chapter of Chinese Oil Painting from the beginning of the Cultural Revolution Carding, the Cultural Revolution has been the various popular styles are a finishing school; again, combing the "original cartoon" to the gradual introduction of popular historical phenomenon, and the distinction between "cartoons generation" and "the new generation of cartoon" in the works show different concepts, the same part of this article is the third part of the views put forward to solve the problem Zuopudian.Part III: Language and cartoon paintings, as well as a combination of language and cultural concepts presented. "Cartoons" painting language is the "original" cartoon art and painting with the media, through the media paintings by the performance practices cartoon creation, an artist in the process of creation of new values, and directly participate in the current pop culture, the expression his "original" cartoons different understanding, as well as to play its "heart" without regard to the fantasy, this is a cartoon of the painting language in the current historical value and significance of it indicates a new attitude toward life: frank, bright, colorful, easy free.Part IV: The objective viewpoint to examine "cartoons of the painting language" limitations. This article, part of the celebration of the past, out of the text, cool and objective analysis "cartoons of the painting" The phenomenon of the limitations of contemporary art: theoretical support weak, artists starting point for passive factors.Part V: The author's true feelings and personal experience to strengthen this centre. The article ends with the author of the first-person narrative of their own in the creative process real ideas, as well as the former referred to the various backgrounds of their impact once again point out the center of this paper.