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Innoration And Fusion

Posted on:2009-10-16Degree:MasterType:Thesis
Country:ChinaCandidate:J M XuFull Text:PDF
GTID:2155360245451822Subject:Music
Abstract/Summary:PDF Full Text Request
This paper adopts the analysis method of musical morphology and the correlated theory of national musicology to research the rearrangement and utilization of Mongolian folk songs in the chorus without accompaniment. And also the article annotates no-accompanied chorus with Mongolian style of Yongrubu and S.enhebayaer and etc, who are very famous composers in Inner Mongolia Autonomous Region, by analyzing and contrasting examples of the musical score in recent 30 years.The first part is the introduction of the chorus without accompaniment and Mongolian folk music .The section of chorus without accompaniment includes the definition, origin, art feature and the masterpieces of the chores home and board .The Mongolian folk music section consists the soil, characteristics, categories and classical folk songs and so on,. all of these give birth to the Mongolian folk songs .The second part, adopting the analysis method of musical morphology to analyze how the Mongolian folk songs are adapted from the chorus without accompaniment .They analyze this part from several aspects, such as the form of the music ,harmony, the method of creation and etc. The context of this part contains the analyze of the examples ,which related to five different kinds of woks of Mongolian folk song .There are Dastoral Song,《Nuoenjiya》, Four Seas.The third part is the application of Mongolian folk songs in the chorus without accompaniment .The chorus works without accompaniment are based on abundant Mongolian folk songs though the application of the ethnic vocabulary, plentiful and novel rhythm. It forms the unique singing feature which differs from the European traditional indoor chorus.As a newly emerging study and research task.. Mongolian folk songs' revision and operation under no-accompaniment chorus hasn't formed complete theory system in its field. This paper is trying to hold thoroughly and analyze deeply the development condition of Mongolian folk songs' revision and operation under no-accompaniment chorus in a relatively high angle of view, so that we can research into its unique art style and practical and potential significance in social civilization.
Keywords/Search Tags:no-accompaniment chorus, Mongolian folk song revision, operation
PDF Full Text Request
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