A Study On The Diversity Of "Language" In Unaccompanied Chorus

Based on the principle of chorus,this paper analyses "Zuoquan Folk Song" from the perspectives of regional characteristics,dialectal characteristics,unaccompanied chorus adaptation,artistic style,chorus and sound field.The organic integration of unaccompanied chorus avoids its singularity,highlights the "diversity" of Chinese local languages and enriches the loading of national music under the premise of following the ontological art rules of unaccompanied chorus.Style and deduction.At the same time,as a master of art,it elaborates the problems and solutions in practice rehearsal,hoping to get more enlightenment in the rehearsal and deduction of unaccompanied chorus works adapted from folk songs.The first part,"Zuoquan Folk Song" and unaccompanied singing,introduces the origin of unaccompanied chorus,singing form,artistic characteristics and the origin,characteristics and classification of "Zuoquan Folk Song".The second part is about the characteristics of dialect.Starting from the nationalization attribute,it elaborates the characteristics of national language and the creation characteristics of unaccompanied chorus adapted from folk songs.The third part is chorus and sound field.It elaborates the difference between traditional unaccompanied chorus and "folk song" unaccompanied chorus in rehearsal form,personnel arrangement,breathing,voice,etc.in order to accurately grasp the artistic presentation of this type of chorus works.