Studies In The Problem Of Liszt-3 Concert Etudes â…¡

Liszt as the famous composer, conductor, pianist in Hungarian,is the one of the most creative person in the mid-19th century. Both in his playing style and audio aspects are an important innovation home, he performed in the practice of constant exploration and innovation, a unique form which is filled with distinctive characteristics, passionate, poetic and brilliance of both the Romantic style of performance.His efforts is to create a more dramatic change in the color space and music with full orchestra sound. Liszt Piano Technology as a modern one of the pioneers for piano solo opened a brand new one.Liszt piano works in all, a very difficult Etudes skills difficult, known for distinctive image, the paper to Liszt's Concert Etudes–II as the research object, Liszt monocytogenes, was living with the historical background of the Weimar period quiet life under the state created a "lightweight", it is the most beautiful concert Liszt Etudes one song with the whole fantasy color, and display the piano Treble District bright transparent sound, the right hand for the chromatic like in the breeze floating Piano from top to bottom, like a free impromptu concert at the same time with Liszt monocytogenes, creative style, as well as creative background of the song, this song analysis, in his Law of Liszt monocytogenes, a loyal supporter of the aesthetic thinking, and the title principles, the principles of integrated art creative standards "lightweight."From the above points such as hand to study the "Concert Etudes– II," so as to thoroughly it is a comprehensive understanding to help us better interpretation of this work first.