Benazir Article "Five Concert Etudes" "Chinese Style" Discussion And Teaching Performance

A complete Chinese piano music system, should also include two parts,etude and music. In the piano art quickly developing today, for the music form as amore stress to the melody line beauty and express the feelings beautiful, moreurgent is that we need to get skills in the strong support of the piano playing.Nowadays of the Chinese piano music development, you can see that the music andetude have serious imbalance in the creation of the quality and quantity. From theresearch of "five concert etudes" composed by a foreign composer AlexanderTcherepnin, and it is also the work which is in the true sense of the first Chinese-styleetude published for the stage playing, want to create and called on the people to theChinese piano etude genreattention, hope that the development of Chinese pianowill have some influence in the future.This paper is divided into four parts, the first part must have make theproposition definition to the name of "Chinese-style", then combs the developingthread of Chinese-style piano etude, and make the mainly focuses on theintroduction of Tcherepnin’s lifetime of course his "Chinese-style concert etudesOP.52" at the last of this chapter. The second chapter is not only carries out afull-scale and deep analysis on the Chinese style of his OP.52, but also based on theChinese music that Tcherepnin studied. The former is analyzed from four aspectswhich is title、melody、mode and modal quality, with the latter is to make thedifferent between the western culture and Chinese traditional culture and lead to theconclusion of the reason to the different ways of the art expressing, from the side toreflect the differences for "Chinese-style" and traditional western music. Chapterthree is focus on the selection work of techniques that can be applied to "Chinesestyle" piano trainers genre playing like the Scales and Arpeggios under the five notesystem、master the special rhythm which comes form the folk music、and also use theskills of sound simulation which belongs to the National Instruments first. Makethose above In the comparison and analysis of the traditional skills in western, pointthe ways on these specific skills to the music education with the reasonable use in the practice. In the fourth chapter will be the introduce on the historical value andthe significance of the "five concert etudes OP.52" by Tcherepnin to the developmentof Chinese piano art. At the same time intends to arouse public attention on thecreation of Chinese-style piano etude, then wishes that there will be more researchon Tcherepnin’s musical creations in the future at the last of this work.