Research On The Visual Aesthetic Orientation Of Graffiti Art Symbol

Since ancient times, there has been graffiti. Weather the works showing the scene of hunting and production in ancient times, or the plain and childish works that modern artists made to explore the man's real spiritual world, or the street signs marked everywhere by the American blacks in order to scramble for sites, all of them conveyed the heart of a kind.Current people are in Times of visual prosperity and visual tension. The rapid development of the electronic imaging technology makes the advertising,television,film,networks and other mass media constantly infiltrate and impact our life .The boundary between art and life are blurred, and the art is also being gradually transferred to symbols and images production industry. The aesthetic of vision times tends to generation .The general aesthetic public also experience an unprecedented"pleasure"and"enjoyment". However, series of universal human aesthetic shift to the modern concept of life, aesthetics and concentric resulted form the daily lives of the visual culture of the aesthetic creation has also caused a series of negative impacts. An important reason for this phenomenon is that aesthetic also has its rational side. While experiencing sensory enjoyment, one also pursues the inner clarity of the real world and public awareness of emotional rational to upgrade the rational dimensions, which are areas where the public aesthetic areas always neglect.As a vector of visual culture graffiti symbol not only reflects the current visual culture development form, more importantly, the symbol creators use their own experience to see the world and express the most purely feelings through the most primitive art forms .In this way, it prevented the aesthetic from going to extreme and found anther way for the public aesthetic, thus provided more thinking apace.At the end of the 20th century, graffiti entered China, and in short ten years, it spread all over the country. Some modern artists have set foot on in different forms. In this paper, I also raised my opinion on the difficulties graffiti art faces in China. Graffiti, as a new type of visual communication language, have turned up .We can see its bright future.