The Aesthetic Linguistic Context Of Natural View Of The Landscape Painting Is Studied

Chinese landscape painting has changed from practicability into artistry, rise from original color thinking to the recreation of picturesque humanism system, and keep a gentle condition with natural art. Therefore, as a Chinese landscape painting artist, the beginning of creation is the strong aesthetic point of view facing nature. In other words, it maybe the shinning of art inspiration. How to continue this system under the present development, and what shape it will be?The aesthetic linguistic context of natural view of the landscape painting once been too strong because of narrow utilitarianism color, and has flooded the aesthetic character. The development of the landscape painting should be that " gentle that made for feeling " instead of " for being gentle and make the feeling ". Among contemporary new society and cultural environment, mountains and rivers aesthetic view will take place transition of natural shape.Today, the return of mountains and rivers culture in art is the realistic performance of associating with " spiritual crisis " question, it not only embodies in recognizing of culture, but also reflects Chinese philosophy, even the art. Because that art can not leave the value ideal of traditional culture and basic values to exist after losing value ideal and evaporating basic values, the whole era can lose soul, art can lose the spiritual.Taking the relationship between nature and people, nature and landscape painting into the consideration of aesthetic, the considerate result will be regarded to take the culture mental state of the subject.