Historical Material And Related Research Of Landscape Painting’s Incubation Period

Landscape painting is the most important of Chinese art in the history of art of the artistic opous, this paper tries to impulse by investigating form Chinese culture for the incubation stage of landscape painting, in order to explain the develop feature of landscape painting in the period. The writing discusses the standard by a close relationship with the landscape culture and the art of archeology factors from Spring and Autumn and the Warring States period to the Wei and Jin period, thus revealing the importance of the incubation period of landscape painting in the history of landscape painting. The article on the interpretation of the incubation period of landscape painting is proceeding in accordance with the vertical concept of time before the Wei and Jin period, a little known source from the landscape concept and landscape literature, landscape painting, then the schema of the landscape art school paradigm language process. Trying to maintain the structure of the article is clear, in addition to use of the cultural historical, arts and archeology, and image research, revealing a panorama of the incubation period of landscape painting.The preamble is the purpose and ideas of landscape research literature, this article keywords gave birth to the concept of Landscape Painting definition of this article. The text is divided into three parts.The first chapter of the incubation period from landscape concept and landscape literature described. This chapter is from the early Qin Dynasty to the Wei, Jin previous concept of landscape analysis, trying to prove that the landscape worship, Confucianism, Taoism and Buddhism in a time of understanding of the landscape. These factors are the origins of the ideological and cultural implication in the later landscape, a priori theoretical model for the development of landscape painting. The landscape of literature in a personal artistic accomplishment to show the landscape of love and worship, and interpretation of the painters and painting prior to the Wei and Jin period independent preparation stage.The second chapter from the concepts of territory and a map, hunting, feng shui phase technique and early landscape paintings on the four aspects, and explain the landscape of origin. In today’s environment of cultural diversity on the landscape origin of test strategies and research, Analysis of multiple, many possibilities, of great significance to the overall development of landscape art and landscape history. The concept of territory and map out the function and purpose of the demand, is the confirmation of the ancient emperors of their own territorial scope. Landscape painting in the search for their own new independent language model, the concept of homeland and ancient cartography played a pivotal role, and therefore maximum likelihood landscape painting origins of this factor. Hunting is also the ancient kings of a ceremonial practices, hunting can make a person being in nature to feel a sense of intimacy. Some of the landscape on the judgment and term direct or indirect reference to feng shui physiognomy, language and thinking. This from Bing’Landscape Paintings "sequence" to Guo Si’s "Lin Quan Gao Zhi" has the elaboration and interpretation of the mindset of the people from the natural change to the landscape. Wei and Jin Dynasties landscape painting on the first landscape paintings in advance of the situation, essentially reflects the landscape on the mature state. The landscape Bing’Landscape Paintings "sequence" templates for the study from a theoretical point of view to prove that the origin and development. Four important factors, the concept of territory and the map is the most important factor, the other three play the complementary role to promote.The third chapter from the field of arts and archeology, the landscape of the incubation period of the material carriers and image performance. This section describes the pre-Qin pottery, jade, Landscape Design, landscape scene in the Han Dynasty stone (brick) and murals, to the description of other material carriers on the landscape. These reflect the face of the incubation period of landscape painting, the development of landscape painting is a single element from the bit after the precipitation of the culture and time in order to show the true sense of the landscape. The last one from the Lo River map to draw Yuntaishan mind to complete the evolution of landscape painting from composition to techniques, they opened the course of landscape painting in the traditional sense.For the study of the incubation period of landscape painting, should be starting from the point of view of culture and the arts and archeology. The incubation period of landscape painting is a landscape-forming process, is also an important part of the landscape history.