Research On The Traditional Opera Of Wu Bing

In the latter Ming Dynasty, the society was having huge change on politics, economy and culture and so on. The literati and officialdom in feudal China had been rocked by it. Many people betrayed their belief. As to Wu Bing, we can get some information that he was very honest and responsible from his experience and works.Though some people disagreed with it that Wu Bing has been thought as a member of Lin Chuan faction, We found that Wu Bing paid attention to Tang Xianzu and his standpoint from the research. Wu Bing inherited diligently senior's viewpoint, and positively unifies its and his own viewpoint. This paper attempts to compare Wu Bing with Tang Xianzu and conduct the contrast research.Front from artistic angle, the traditional opera of the latter Ming Dynasty pay more attention to the art characteristic. Wu Bing introjected the Wu Jiang pen with the Lin Chuan cadence, created his own artistic style. At the same time, he syncretized the time and the space, the reality and the illusion at drama's structure aspect, which enabled him to occupy the very important status in the latter Ming Dynasty artistic creation domain.Wu Bing had been engaged in the political activity, had the thorough understanding on the social politics condition and feudal rule's darkness of the later period of the Ming Dynasty, so he aimed at Neo-Confucianism, the darkness of the world, degeneration stratification planes and so on in his works. As a conscience writer, we may discover that Wu Bing had the intense social responsibilities and the sense of mission.