| According to the music nature on literature, it is easy to think about poetry, however, the music nature on novels is often commented from the perceptual level. It was recognized about the music nature on the novel My Remote Qing Ping Bay by Shi Tiesheng, but there was not a comprehensive exposition on it. The purpose of this article is trying to analysis the music nature shown on My Remote Qing Ping Bay.This essay is from his personal life experience and base on the text of this novel. Learning from the poetry of music analysis and research experience, combined with Bakhtin's "polyphonic novel" theory and Fugue Musical structure, embodied in the work out to carry out targeted analysis of music and try to analyze the scope of vision in the music combined with the multi-angle, it will discuss the music nature on My Remote Qing Ping Bay on the panoramic view.Firstly, the music nature is from the circumstances of northern Shanxi. My Remote Qing Ping Bay embodied in the characteristics of music nature is from his life in the northern Shanxi a decade ago. He accumulated a deep emotion on Shanbei through a three-year life of the educated youth. The unique geographical Shanbei culture impacted him on his own aesthetic experience. His early works were often writing on the northern Shanxi folk songs, folk songs can be said that in northern Shanxi Loess Plateau as a marker that exists in the author's memory, however, his favorite on folk songs of northern Shanxi is not a simple emotional orientation, it is the spirit choice by the author. Wheelchair life of torture and pain after back to the town, He learned how to get tough from the despair life. And the strong sense of life and praise on folk songs of northern Shanxi is working with him, which is the reason why in the desolation of the work still shows warm feelings. The novel described the folk songs of northern Shanxi 16 times, for instants, "Shan Shi Li Pu", "Zou Xi Kou ", "Ya Pan Shang Kai Hua" , and so on. These folk elements directly loaded in these works had played a positive role, not only in enhancing the geographical features, but also in shaping the character, plot development, structure and expression of the theme.Secondly, I will discuss about the theme of polyphonic structure and Fugue.Bakhtin in 1929, in Dostoevsky's creation theory"(reprinted in 1963 and changed its name to Dostoevsky's Poetics the problem), advanced a theory as "polyphonic novel"."The complex transfer"or "to orient" theory was first introduced to the field of the novel, which also has a novel multi-level expression. For My Remote Qing Ping Bay in the subject reflected in the characteristics of Polyphony, we are mainly drawn from two levels of analysis.First, the memories of"I" in "Qingping Bay" and the memories supporting materials constitute the first level of the polyphony. The relationships between them constitute the equivalent of sonata-style theme of "the main theme of the Department" and "the theme of the Deputy Ministry ". The Department of the theme as the main theme music, the author uses memories of Qingping Bay to demonstrate a single theme of the main ideas, that is," I "of nostalgia, which" Vice Ministry of the theme ", constitutes a theme polyphony and supportive relationships. Secondly, the theme of the Deputy Ministry of the material constitutes the second level between Polyphony, Bai Lao Han, Liu Xiao Er, cattle, among the independent relationship. As Bakhtin has been talking about the full value and awareness of different voices, they form a combination of Polyphony enriched expression of the main theme of the department.Besides on the theme of polyphonic writing, the structure of the narrative also reflects the Fugue polyphony of the narrative structure, which allows the subject to get more expressive on the platform. This novel reflects the narrative structure of a complete Form Fugue features, from the beginning paragraph to 32 for the works as "the ceremonies were" and the 33,34 paragraph as "inserted between the words" and the part of paragraph 35 to 40 as " expand the department " and then to the ending fiction as "the department of reproduction".Thirdly, I will discuss about the music nature on language.The music nature on language in My Remote Qing Ping Bay had also been a prominent manifestation. The work came out from the traditional framework of novel, the plot to weaken the language of unique fresh and unique grasp of the rhythm to be in the text the ease of play, this work prose exuded natural temperament.First of all, it is the beauty of language phonology. This novel mainly reflected in the paragraphs on the coordination of phonological words, and thimble, parallelism, such as the use of writing practices, as well as the overlapping nature of the written word and so on. Secondly, it is the rhythm of language. This novel mainly embodied in the author's unique to stop the use of skills, as well as the relaxation rates have degrees of certainty. Halt the use of techniques which mainly reflected the end of the sentence as a sentence or two-syllable word to emphasize the role of stress transfer through to the novel language in a short interval in the original break the honest statement, which was a unique sense of rhythm. The rate is the combination of the grasp of the Allegro, in panels, such as slow rate of overall performance, so that the entire novel in the language was more abundant on the rhythm of the level.We found that Shi Tiesheng made this work show a full range of music nature, from My Remote Qing Ping Bay , he does not rigidly adhere to any theory, nor merely reflected in the language of expression works through the music section of the narrative Fugue. We found that the musical world in the novel can also get the existence of such a wealth of space. On the novels of musical analysis, for our musical break in the literary field of the limitations of poetry, which allows the expression of music was written in a broader space and at the same time, as well as our novels explore the creation and interpretation of a new vision.
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