On The "Color Imagery" Of Traditional Painting From The Perspective Of Han Banquet Map

With a unique style and strong national characteristics, traditional Chinese painting has a long history and a unique awareness and use of color, which form the traditional concept of color. From the original "five colors" concept to a "with FuCai class" of "Liu Fa" and the "five-color ink ", all of them convey the Chinese painting's attention and exploration of "color" and form a series of basic rules to adapt to the requirements. "With FuCai class", which indicates the inherent color, sets aside the color of light source and the color of environment, as well as other objective factors. Both of "with FuCai class" and the "sub-five-color ink" proposed later reflect the color image.First of all, this paper studies the traditional Chinese concept of color, points out that the traditional concept of color chases the concept of "image" and proposes the concept of "color imagery", explains that it is a subjective color system created by artists, and explores the base of philosophy. With the specific conditions of painting of different times, the paper also sets forth the traditional concept of color from a monochrome color to glorious color, while after Song, Yuan, the traditional color tends to be simple. And the paper discusses the concrete manifestation of traditional color during its development. On the whole, in the context of traditional Chinese culture, both glorious and simple color in painting use the color image, emphases on people's initiation in painting. Secondly, from Han Banquet Map of Five Dynasties and Gu Hongzhong, the paper analyzes the historical and cultural background of Han Banquet Map, points out the concrete manifestation of color image in Han Banquet Map, explains the ingenious combination of "meaning" and "image", as well as the spirit of image in works.Finally, with the development of Chinese contemporary painting, people's thought, aesthetic as well as interest are constantly changing. The introduction of Western color leads the transformation of traditional painting to modern painting. Since 1990s, modern heavy painting shows up an open mind of culture, breaks the fixed thought pattern in painting language, and explores new ways in creation. With the intervention of new material such as rock and new media, the creation of heavy color painting tends to be diversity and liberalization. The use of color image further develops, and painting color accords to the meaning. Images of Chinese culture under the color of the inquiry, it is the world's cultural blending in the background, in new ways and language elements, looking into the cultural context of contemporary performance practices and the excellent culture of the ancient heritage, so that the traditional image of color and find common ground between the modern, the art of leading a wide range of patterns of development, and for the future of Chinese painting color image to provide a solid foundation of innovation.