The Spread And Evolution Of Sung Dynasty Yuan Dynasty's Landscape Painting

Sung and yuan dynasty landscapes painting are the main current with Chinese traditional landscape painting art. They are two high peaks that that the Chinese landscape painting develops history .Its pen and ink of Chinese wash painting style turned in to experience endless development process. They although a vein accepts mutually, but keeps respectively fresh and clear ages special features. They present a style feature of dissimilarityThe Chinese landscape painting is embryonic the period in the Wei and Jin dynasty, The landscape painting is gradually mature in sui and tang period. Taking Zhan zhi qian as representative's painter raises the green landscape to new stage and Wang wei developed water painting artistic conception of landscape painting by the art form of water painting in the meantime. The water landscape painting starts heading for maturity in Fives dynasty. Jing hao and Guan tong for the representative's northern landscape painting parties and Dong yuan for the representative's southern landscape painting parties symbolize realistic landscape painting to tend in the maturity. From now with the pen and ink realistic for shape means to express the esthetic sense of landscape artistic conception to be established formally. This kind of idea influences the creation of Sung dynasty .With Li cheng, Fan kuan and Guo xi for the representative's painter continues on the foundation of traditional landscape painting to carry on quest. But with scholars such as Su shi and Mi fu use another a kind of method .They emphasize water painting vividness .Although style dissimilarity ,But they all obtained unprecedented adievement. South sung dynasty painter, Li tang,Liu song nian, Ma yuan Xia gui start trying the landscape painting new manifestation, They attract by to set up in the composition of conceive outline, close-up side the view of the Cape. Then pay attention to more on the pen and ink style own characteristic. The emergence of these new styles infused into vitality for the development of landscape painting. The landscape painting experienced the development of Five dynasty and Two Sungs dynasty, Realistic pen and ink skill has become at that time vogue of drawing the altar, abundant pen and ink technique and creations experience of the landscape painter's backlog, laid material foundation for the change of landscape painting. In inheritting the foundation that Sung generation realistic painting and scholar draw thought, The Yuan dynasty scholar sets aside to start alignment maturity. Yuan dynasty leader Zhao meng fu who is decisive function in Yuan dynasty generation scholar painting development process, he puts forward calligraphy and painting clearly together the theories of pen, created a condition for formation that Yuan dynasty express feelings and vividness painting style .The painter of later period completed the pen and ink of the scholar painting a transformation in Yuan Dynasty. Four painting masters of yuan dynasty are Huan gong wang, Wu zhen, Ni zhan and Wang meng. They feeling natural landscape in the meantime, start valuing content and interest of pen and ink, know pen and ink to haven't to depend on to save in performance the with the object opposite independence, It not only have form and structure beauty , but also can inform a subjective spirit, state friendly rhyme of a person in the form structure. They at take orders traditional of in the meantime, carry on brave to the people of the past's pen and ink innovation, pass by slightly more the spread of variety, became to simple and vividness style of scholar qualities. The development of Sung and yuan dynasty landscape painting style , reflect a Chinese landscape painting at any time generation the development regulation for changing from realistic and value reappearance to vividness and value expressional.