Acceptance Of The Yuan Dynasty Painting In The Song Dynasty Painting And Development Studies

In the progress of the China civilization, the painting always accompanies with social of development .More is the age which fights a disorderly turbulence also more is a culture thought opposite open of the ages that the new idea become:The metaphysics of Weijin generation is widely accepted, Five generation northern landscape paintings send of rising, all become under the special history environment.Painting history development but talk the painting of ex- generation always to the painting of posterity with the huge influence, the painting of posterity always needs to inherit ex- generation the result of the painting again and push the development of painting history thus. Among them the traditional and solid but novel esthetics thought of abundant but deep culture, outstanding not the personality strength of the cluster, also have authorities of approve degree etc., all all of these are very necessary.Yuan Dynasty is a Chinese history previous extremely special ages:The foreign tribe goes into lord China, the race antinomy arouses to turn, the social cultural crisis is layer after layer and release a way to spread widely but the Confucianism learn not to flap, the dollar ruler promotes a race bias a policy idle the assist of large quantity government scholar.For getting away from "learn and excellent then serve" of ideal fall through of depressed, for flouncing the fetters of fame and wealth, private people throw more time to the calligraphy and painting create, in order to get ego personality of perfect with the encourage on the spirit.From here the private person became the main force of the calligraphy and painting creations.They accepted a gentle painting parties of Dongju by special scholar qualities and compromised Liguo a painting a parties just a fierce method and abandonned south Sung to draw the spirit of hospital asperity;Change esthetic sense, go into a painting by calligraphy and knot realm by feeling.Completed to achieve heavy"mood" and rewrite the idea spirit in the Yuan Dynasty a generation painting breeze to the transformation of comfortable calligraphy language from the realistic calligraphy language.This text tries an usage to accept theories principle the landscape painting with essential generation in the Yuan generation accept Sung generation painting to carry on treatise with development and clarify its change with development regulation.Discuss the concern order is a Yuan generation essential landscape painting accepts Sung generation painting and the painting style in the development of transformation(from heavy"thing mirror" to heavy"mood"), and take this as main line but launch.The article constitutes is divided into four-part cent:1:Yuan generation earlier period painting with medium behind expect a painting characteristic obviously.In early days painting with Zhao Mengfu, Qianxuan, Gao Kegong is representative.Among them, Zhao Mengfu enjoys a ruler to spoil letter and assists government five dynasties, the position is imposing , his poem calligraphy and painting are highest level, then become drawing altar leader of alliance. Admires Dongju to draw breeze to initiate "ancient idea" and lay claim to teacher to build to turn.Earnestly practice to actively promote to go into the creations way of thinking of the painting by calligraphy, for"Four artist in the Yuan dynasty" of rising spread even road.Medium expect to take" Four artist in the Yuan Dynasty " as a representative behind, they a vein mutually accepts of received Dongju's manner, along Zhao Mengfu indicate of the direction finally developped natural humour space , elegantly simple and light and free painting in the Yuan dynasty .In addition, Licheng, Guoxi spreads a parties to also have certain influence, representative's painter Cao zhibai, Zhu Derun, Tangdi, Yao Yanqing achievement biggest;Mayuan, Xiagui spreads a parties with Sun Junze, Lu Shidao, Ding Yefu Chen Junyou for representative, they are lettle compare influence with ex- two partieseses .2 :Yuan generation essential landscape painting to Sung draw of accept;(1)The painting that accept of painting idea's Yuan generation painter's opposite two Sungs heavy reasons learn thought they more a trait of accept a heavy idea an interest of the scholar painting thought. The heavy idea not heavy form, Mifu and Su Dongpo lays claim to the amuse oneself of painting function ory, "The keepsake is with the view thing"idea of Chao Buzhi pay attention to express of mood, these theorieses foundations which all became a painting breeze formationin the Yuan generation.Accept two Sungs other painting theorieses then more performances for change and influence imperceptibly of the fulfillment made use of.For example:The Guo Xi puts forward the esthetics of "body namely mountain and stream with take it" to set question, Zhao Mengfu , "Four artist in the Yuan dynasty" pays attention to a sketch , become intimate with natural .The Guoxi puts forward the esthetics of "three far" to set question to be even aware of self by the Yuan dynasty painter .Huang Gongwang successfully made use of in its representative work《the live in the mountains of Fuchun》even far, hight, profound composition method, ordered continuous variety to break the composition of flat panel to also deeply turn inform of artistic conception in the meantime along with the observation.Ni Zan lives more to use "three far" its method, the appearance is the farer the higher, and the free from vulgarity seem ready to come out.(2)The pen and ink diagram show of accept a vein in the Yuan dynasty painter to mutually accept of accepted Dongju's manner and compromised Li Guo just a fierce method and abandonned south Sung mean breeze.3: In the Yuan dynasty essential landscape painting to Sung's development performance of the painting is;(1)The theories which pursues the esthetic sense of "escape" space this esthetics to set question to become a Yuan generation painting breeze formation pays pillar.(2) The development that the pen and ink diagram show completed landscape a painting to rewrite idea style to change in the Yuan dynasty.(3)The development of the painting material (4)Form of mature(the poem calligraphy and painting print combine of four integral whole)4:Be over languages.