The Aesthetic Character Of The Chinese Prosaic Movie

Movie is called "seventh art",which filling the wide gap between time art and space art,as the same time,it made the same status with literature,painting,music,dance, sculpture and drama.At the beginning of its birth,movie shows an extraordinary artistic appeal,attracting a large number of viewers,Lenin has been made a conclusion:"Movie is the most important art in all of the arts."When sorting out the aesthetic character and the kinds of tradition of the Chinese culture,Mr.Chen Ping yuan point out that there is two traditions,historical tradition and poetry tradition.According to the Chinese culture tradition,the development of Chinese movie also shows two kinds,dramatic movie and prosaic movie.Chinese prosaic movie has such characters,get rid of focus on drama plot and conflicts,weakened the story and the contradictions,put focus on inherent tension description,relation to camera connection,it focus on trivial details,in emotional expression,lyrical instead of narrative,about images on the screen,it puts the emphasis on poetic imagery and creates the mood,in the overall style,it generally has a strong "sense of the past" and "sense of memory".In a word,Chinese prosaic movie always reflect life poetically.Chinese prosaic movie has a wide extension,it includes writer movie and poetical movie.The mainstream of Chinese movie is dramatic movie,prosaic movie is only take apart of Chinese movie,but it still has achieved spectacular results.These achievements can be related to the Chinese culture,such as,the view of the universe is that man is an integral part of nature,"pitching contented"space awareness,the thinking ways of "guan""pin""wu","vivid of life" aesthetic pursuit,life aesthetic.For these culture tradition,the Chinese prosaic movie is formed unique movie-style images,such as pursuiting poetic imagery,reproduction and performance are integrated,Montage is connected by mood,useing of empty lens,and so on.To enter the 21^st century,in the face of the serious loss of movie audiences,production inputs and outputs of a vicious cycle,Hollywood movie occupy the China movie market, all these shows that the Chinese movie is faced with a bad situation.For the reconstruction and development of Chinese movie,we should be based on the national culture.The aim of study Chinese prosaic movie is to do a little theory exploration for Chinese movie's futuer.