Research On Prospect Beauty Of Yu Zhixue's "Landscape Painting Of Ice And Snow"

From the perspective of painting research,the theme of this thesis is art critics; and it discusses mainly from the angle of art philosophy.The combination of these two perspectives aims to probe into the problems existing in art critics on the theoretical value of art creation.There are two major reasons for my choice on Yu Zhixue's landscape painting of ice and snow.Firstly,it's because of the uniqueness of the beauty of ice and snow,especially its peculiar form,which helps realize artists' dream of painting snow and ice directly in the one thousand history of Chinese brush drawing.Moreover,it presents the beauty of coldness and peace in the white system of Chinese painting.Secondly,Chinese culture infiltrates the creation of Yu Zhixue's landscape painting of ice and snow.The pertinence of culture refers to the unification of relevance and nationality.In this sense,the submersion of culture means new creation and continuation of culture on the basis of inheriting the traditional culture.On this point,Yu Zhixue relies on his own experiences in ice and snow painting that provides us an explanation.As a research on aesthetic perspective of the art of ice and snow,the thesis claims to extend the art from aesthetic to philosophy.With the core of aesthetic,the thesis explores the connection between the novel language in traditional landscape painting and modem cultural sense,which also contains the essential connection between art and human life.Artistic conception refers to a unity of reality,it occurs with the appurtenance of an unreal unity.(France,Sartre) As an exploration of the essence of beauty,the presentation of aesthetic in ice and snow painting is another expression of cold and peace beauty.The thesis makes a detailed critic of ice and snow painting on the basis of cold and peace beauty.Specifically,the third chapter is mainly about the special features of ice and snow painting languages,that's brushes, ink,light sensation as well as the implied connotation of aesthetic,namely the beauty of brush and white light.The fourth chapter analyzes the richness of the beauty of cold and peace which covers two series,spring and warmth,the ice and snow in our life and the beauty of mighty.The fifth chapter continues the pond ration of the aesthetic of ice and snow,that's the artistic reason and practice made in the abstract form of the beauty of coldness and peace.The paper bases on Yu Zhixue's creative prescriptions and some other relative academic theses on ice and snow painting to make a research on aesthetic,aiming to provide some view and space for other research on ice and snow painting.The author is to expound the standpoints in this thesis is follows,Firstly,the artistic work's value manifests to esthetic sense comprehending;Secondly,ice and snow language perceptual form construction and cold leisurely beauty close related; Thirdly,comprehends to the connotation survival experience's transcendence is realizes from experience the ice and snow art esthetic image cold leisurely beauty the important way.