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Discusses The Han Dynasty Brick Relief And The Portrait Stone

Posted on:2009-07-15Degree:MasterType:Thesis
Country:ChinaCandidate:Y RongFull Text:PDF
GTID:2155360275961034Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Our country's decoration dermatoglyphic pattern, should say is well-established, is the Neolithic Age calculates from the foundation time, already some six, seven millennium's long history, in these several thousand year historical perpetual flow, the innumerable craft master craftsman, created each kind of decoration dermatoglyphic pattern, the content theme has been widespread. Constitution change diverse rich, many quantity, essence of the quality, as well as it demonstrated the national breadth of spirit, the consistent traditional style and the unique creative spirit, in the world decoration history are outstanding rare. To the Qin and Han Dynasty time, the national unification is powerful, the economic boom is developed. The Chinese art also entered a rich bright time along with it. And the Han Dynasty brick relief and the portrait stone not only perfectly displayed one kind of breadth of spirit by the space form to be great, dared to develop; Moreover also had one kind to advocate the positive just beauty the atmospheric boundless spirit. Namely"unadorned sees deeply, flies moves time assumes grand". If we inspect, analysis from its composition way and the cosmetic, then may also in inherits the predecessor bricks and stones spirit above the foundation, holds its characteristic; Knows its main point; Derives its essence. And using the modern decorative art's design element, as well as the spot, the line, the surface some constitution way, forms one brand-new and has the current relevance visual language, causes us while hand down a tradition, unceasing innovation, consummation and development.
Keywords/Search Tags:The Han Dynasty paints a portrait the stone and the brick relief, Cosmetic, Inheritance, Development
PDF Full Text Request
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