Study On The Classis With Ring-handle In The Portraits Of Han Dynasty In Henan Province

The han dynasty was an important formative period of Chinese traditional culture.Among them,the ring of the first rank,which was widely used in later ages,was particularly prominent.On the whole,the shape of the top ring of the shop has not changed much,and it has become a template for the development trend.It is not only a traditional decorative symbol in China,but also has a unique connotation.First of all,we collected and sorted out the images and text of the first rank ring in henan province in the han dynasty,to understand its discovery time and distribution status.Secondly,the paper studies the images of the first rank ring in the portraits of henan province in different areas,and selects representative nanyang stone relief works,zhengzhou brick relief works,luoyang han dynasty mural tombs,xuchang and the surrounding han portraits and the first rank ring in other areas.Thirdly,through the longitudinal comparison in time and the horizontal comparison in region,this paper analyzes the inheritance and evolution of the ring in different periods and the cultural and artistic exchanges between different regions in the han dynasty.Finally,combined with the relevant modeling characteristics and social background analysis of the ideological connotation.Through data processing,it is found that nanyang stone relief was concentrated in the early eastern han dynasty.Zhengzhou picture brick concentrate in the late western han dynasty;Luoyang mural tombs were concentrated from xinmang to the late eastern han dynasty.In xuchang and the surrounding area,the first rank rings were concentrated in the early eastern han dynasty.Henan shop two han period,the first title ring with regional characteristics,modelling is more than his presence,nose bit ring,according to a change in the corner of the shop first bit by glyph crown among type can be divided into nine:Aa long arrow,short arrow Ab,Ac herringbone arrow,Ad ling,Ae combination triangular,Af triangular,Ba water droplets,Bb pour heart shape,C;Modeling combination,up and down combination of more common,and the combination of zhuque and white tiger more;Engraving techniques,the main popular shallow relief of the performance techniques;Artistic style,with neat and casual,stylized and creative,exaggeration and deformation,the whole and details of the art features.Through comparison and analysis,we believe that the development of the first title ring in henan province can be roughly divided into three stages:the middle western han dynasty to the late western han dynasty is the period of its germination and development;The period from xinmang to the early eastern han dynasty was its mature period.The middle eastern han dynasty to the late eastern han dynasty was a transitional period or a continuation period.The comparison between henan and other regions shows obvious differences in image characteristics,modeling styles,stone materials and cultural influences,and cultural collision in geographical distribution characteristics,combination methods,modeling elements and expression techniques.As for the cultural connotation of the ring,we believe that the chevron crown,animal face and ring have the functions of the symbol of gods and beasts and the protection against evil spirits respectively.The combination of the first title ring and other elements has many connotations,such as guiding immortals,guarding tombs from ghosts,avoiding evil spirits and protecting tomb owners.Its appearance also reflects the belief problems of the han people,such as the belief in immortal soul,the belief in life after death,and the belief in immortality after death.