The Traditional Chinese Painting In Modern Graphic Design Elements In The Application And Research

Throughout the course of the development of the graphic design, along with social development and the passage of time, the contents of graphic design theme and style forms in the event of significant changes. As a country with a long cultural tradition for thousands of the country, we can learn from the excellent traditional culture and artistic wealth in no way inferior to others. How to inherit the fine traditions of our nation was founded that based on the personality of Chinese-style design, we need to adopt a rational attitude towards speculative.Clarifying of modem graphic design with Chinese traditional painting of the similarities and the differences between our traditional Chinese culture will be a valuable asset is applied to modern graphic design in the past to face frankly the most important issue. China's culture goes back to ancient times. Chinese painting art history and culture of China is the long-term development in the process of accumulation. It has a unique artistic style. It is a modern graphic design art to enhance and create a taste of their own nation belongs to the Chinese form of the United States has an important role in drawing.This article from the traditional Chinese painting in several important elements - power, quality, rhyme, to analyze them in modern Chinese graphic design applications can be practical.Potential in the composition of traditional Chinese painting in conception is in the first place. Quality refers to the ink shading, is a strong ethnic characteristics and traditional art styles. Rhyme is the ultimate screen paintings, and also the traditional Chinese aesthetic emotion typical embodiment, for China's own graphic design, it is also a kind of aesthetic requirements. This article is divided into four parts. The first part of the first chapter introduces the graphic design of modern Chinese characteristics and its relationship with the similarities and differences of Chinese traditional painting, and described the aesthetic with traditional Chinese painting traditional philosophy-related knowledge. The second part is the second chapter. It introduces the traditional Chinese painting "rhyme", which is the Chinese nation's awareness of the concentrated expression of the most important aesthetic criteria. The third part is the third, four chapters, from the "potential", "quality" to understand two aspects of "rhyme" of the United States, and to explore the modern graphic design for their reference and absorption, to obtain enlightenment. The fourth is the part of the conclusion.