Color Paintings Aesthetic Analysis

The book based on Chinese traditional culture and aesthetic spirit of thought to the totality of the law and comparative study of law to extract the literati aesthetic draw the basic property and character.The body is divided into four chapters. Chapter I of the development and evolution from the start, the scholars draw a unique aesthetic characteristics. After the rise of literati paintings gradually moved to elegant Yi-Hua mainly aesthetic point of view to express freehand chest Yat gas in pursuit of goals, advocating light fun at the water-and-ink landscape painting occupied a dominant position. Literati painting to make both the Chinese painting to a new areas and new horizons, it has become the artist to express subjective emotion, the expression of the author's personality means a kind of art, paintings unique temperament, able to meet people get rid of a secular text, detached fame, to express the sense of feeling comfortable. This will undoubtedly draw on China' s development has played a positive role in the progress. As an art phenomenon, it is also subject to certain constraints of social reality, but as a viable artistic ideas, but also has its relative independence and the inherent law of development.Chapter authors draw from the philosophy of color basics, the philosophy of ontology color, and Laozi, Zhuangzi, Hyun, Zen idea of integration, are from "colored community" to "no colored community" a form of transcendence. Literati paintings at the "literati" deep-rooted feelings, they like to use ink-sun short of "mysterious" black to express TOWIN quiet, plain, innocent aesthetic style of the literati, will be excluded from the colorful "vulgar" and "Carpenter workers" list . "Emptiness" , "No" , "empty" Road Zen concept ontology colors are not attaching importance to the body color of objective things, and the attention and poetic language of the descriptive element of the same nature of the expression of light - such as color of black and white . Literati ink painting of the "Tao" love too much to part beyond the realm of the five elements five colors. To Xujing, tim, weak health-oriented concept of text, people are adopting a mild approach emphasizes the natural joyous. In this paper, from the aesthetic and artistic style to create paintings start on the analysis of color pattern, with an emphasis on the "literati painting" aesthetic values of the community. Draw at the history of this concept last long.Third, the four chapters are the focus of this article, from literati paintings color color comparison with the West, to explore the art of Chinese and Western abstract commonalities and differences. Chinese and Western painting is the concept of two colors: Western painting, in addition to color the symbol of Christian theology, the main color is a scientific concept, rooted in Western philosophy of subject-object dichotomy that is, since Aristotle' s formal logic and scientific culture; draw is Chinese philosophy color concept, rooted in Confucianism and Taoism Xuan yin yang and five elements, as well as Zen philosophy. Chinese do not draw in the basic Western painting and conditions of the inherent color color features, in the summary color-color and abstract style of painting up in the West there is a comparability of the same color. Chinese ink landscape painting to the world contribute to the very homes of the aesthetic sense of the ecological vitality; scholars draw negative, so that we in the Western concept of painting colors to see some reasonable factor. Painting in color, are a work of vitality, color art with other types of art, in the long historical period, through history and explore the artist's efforts, the concept is continually changing. Today, images reproduced lifelike colors to express the texture images, painting is not the ultimate goal of color, color should be fully self-expression and relative independence. But we are painting one of the most significant element, the human visual perception is the most stimulating and sensibility of the signal - to the neglect of color. At the clash of civilizations, we should insist on the east and the virtuous.