The Discussion On Bottom Writing By The Authors In Hubei Since The New Century

Since the new century,the authors in Hubei Province such as Fang Fang,Chi Li,Liu Xing-long,Chen Ying-song,Xiao Su,Ye Mei,Yao E-mei,LIU Ji-ming,Zhang Zhi-hao, go into the fiction writing on the lower classes successively,and Shen Hong-guang's drama,He Tian's new local poetry also directly get involved in the wave of bottom writing.The bottom writing which were written by the authors in Hubei Province,with their artistic creation effort,have made important contributions to the trend of the literature on lower classes in the new century.So,this thesis,focusing on the center of novel writing about lower classes in Hubei,explores the external representation and internal mode in these bottom writing.This dissertation discusses the problem mainly including the following aspects:Firstly,the present writer makes the objects which the authors are writing for the target,to study the characters series appearing in the texts.There are the image series of farmers and migrant workers,the image series of the townspeople at the bottom of the society,the image series of women at the bottom of the society,the image series of substrate cadres.According to their different delineation,each series will be divided further,and the specific objects described by the writers when they give expression to the lower classes will be gathered up.Why his four characters series listed specially,is because they are so representative in the writers' creation in Hubei Province,and some of them has not been concerned or incomplete in other bottom writing.Secondly,the present writer makes the mode of writing in their bottom writing in Hubei,to study the narrative patterns.From the narrative "space" in the bottom writing, there are the city,the primordial mountain village and the confrontation between the urban and rural areas.As the container of social relations,there are different spirit attribute exist in different spaces,such as lost,scarce and confrontation.The narrative of the suffering,which is extremely important in bottom writing,can be divided into three ways in texts written by authors in Hubei.They are rendering,metaphor,and overcoming, and these three ways respectively show us the struggling,the irresistibility and the toleration of the suffering.From the mode of the plot in the description,through the specific analysis on the texts,the present writer try to find out the artistic skills and the way to achieve the artistic effect,and the patterns can be divided into comedy form, tragedy form,absurd form.Furthermore,this paper dissertates the authors' underlying awareness of Hubei and the regional features.The underlying awareness,namely the underlying position the author held in their description,through the analysis of the texts above,can be summarized in the bottom writing of the writers in Hubei as follows:the criticism for the moral standards,the full inscription for the human-centric and the detachment for the folk-criterion.In addition,this thesis also reflect on the bottom writing of authors in Hubei,and we can find the problem of the distance between he pursuit of writers' creation and the actual issues,as well as the achievement on identity-hunting of the characters.Finally,there are few words about the other influence on the bottom writing,such as the townspeople culture in Hubei and Jing-chu culture.Specifically speaking,those include the terminal cultural,the commodity fair cultural,the romanticism and the geographical custom,the realism and sense of crisis.