The Constituent Elements Of The Rhythm In Movie

To the rhythm of the importance of the film, many film theorists have a similar view that the rhythm of the film is a film of the embodiment of vitality, there is no rhythm, it will also lose the charm of art.The so-called rhythm of the film is based on the work of artists and personalities in the drama of the emotional conflict, and the use of the various manifestations of the film means, in the montage montage paragraph or sentence in the formation of movement and stillness, moving and dynamic and static and quiet, fast and slow, long and short, strong and weak counterparts, resulting in the beating in an orderly manner, and a perceived audience and art form.From the form the rhythm of the film can be divided into internal rhythm and external rhythm. Leon·Moses nake said, "Internal rhythm—this is the rhythm of the internal lens. External rhythm - this is the rhythm of the lens group access." Internal rhythm means the action figures 'speed, intensity, camera velocity, direction, music, sound, color, light and co-ordination so on that based on the main plot. External rhythm means the film's rhythm through editing tool. Here, I still use the classification, but I will be further divided into two kinds of internal rhythm, the rhythm of narrative and the rhythm of model. The rhythm of narrative refers to the rhythm of the film are the events, circumstances or emotional development figures generated, It Include the circumstances of the rhythm and emotional rhythm. The rhythm of model refers to the rhythm of the film through a variety of means to shape the plot and characters shown to directly feel the rhythm of form, It mainly includes three aspects: First, the rhythm that the frame elements have changed the law of the formation of exercise rhythm, including sports figures or objects, color, composition changes; Second , the rhythm that the lens formed by the rhythm of exercise, including the length of the lens, sense changes, shooting angles, camera movement, light and contrast, color ;Third, the rhythm that from the language, music, sound.The first Chapter of this article focuses on the concept of rhythm and the significance of rhythm in the movies. The second chapter and the third chapter focuses on two aspects of the internal rhythm that is the rhythm of narrative rhythm and model. The forth Chapter focuses on the external rhythm that is generated by the rhythm of editing. The fifth chapter deals with the rhythm of the movie special methods, including the repeat, pause, details, voice-over, suspense, subtitles, omitted, parallel montage. The sixth Chapter talks about the impact of the rhythm of the factors discussed in addition to the above, but also other factors, such as the movie type or style factors, geographic factors, age factors. The end Chapter talks about the rhythm of harmonious integration of beauty, movies are from inside and outside of the rhythm, It can not cater for all kinds. Only integration between the two can achieve good-looking story and visual impact. It can make degrees relaxation.Based on its comprehensive features, the rhythm of cinema art in question involved more than the other six arts .It seems to maintain the movie 'life, It is the questions of the movie' life and death, It is directly related to the ornamental, artistic, audience and box office return of the movie. Therefore, making clear the rhythm in the constituent elements of cinema will be an extremely important practical significance to the cinema and artistic creation.