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The Original And The Regenerative

Posted on:2010-02-18Degree:MasterType:Thesis
Country:ChinaCandidate:M H FangFull Text:PDF
GTID:2155360275987364Subject:Music
Abstract/Summary:PDF Full Text Request
From historical perspective,the traditional music exists in a certain social system.Its development and spread is influenced by the level of society,economy,and culture.Form realistic perspective,the traditional music survives in the present after thousands of years. On the one hand,its deep structures contain numbers of the steady factors—the meaning of "original content" in this paper.On the other hand,the variations which are brought about the inheritance people,when they face of society-culture change—the meaning of "regenerative content".In this paper,I will choose the Chaohua wind and percussion ensemble in Xinmi,which can shows the "original content" as the main transmission characteristics,and Daxiangguo Temple Buddhism music ensemble in Kaifeng,which can shows the "regenerative content" as the main transmission characteristics in the central region of Henan Province,and depict their existent status,the process of transmission and variation.I analyze the roles of the "original content" and "regenerative content" in the cultural transmission and variation of traditional music—"original contents" retain the central features and foundations,and "regenerative contents" become the vigor that can continue the traditions of musical culture.On this basis,I use the interactive relationship of "the word of national policy" and "music culture inner" to explore the perpetual power,which can make the traditional music be circle of life.
Keywords/Search Tags:original content, regenerative content, Sengguan music band in the central of Henan province, the word of national policy, music culture inner
PDF Full Text Request
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