The New Vision Of Chinese Sitcom

Chinese sitcom came from US, a set of characteristic skills have been formed in the localization, but also become obstacles hindering the development of Chinese sitcom. 10 years creating the same, less products, slow development, fatigue in aesthetic and tasteless make Chinese sitcom not establish their own prime-time and social status.Sitcoms directed by ShangJing which rised and were more and more popular in the sitcom market, led to a creative climax of Chinese sitcom to some extent. This paper tries to put sitcoms directed by ShangJing into the whole development context of Chinese sitcoms, combines culture and audience analysis, analyses and , these two classic works with distinctive features of the times and the peak value, from the content, form, style and skill, presents the typical characteristics of these two works and author styles, sorts out the succession and innovation of in the traditional aesthetic by comparing these two works, then generalizes the same features of innovation in sitcoms directed by ShangJing, including topic area, expression skill, basic style, creative idea, adaptability and accurate positioning in social culture and reception of audiences.In terms of Chinese sitcom, creative works directed by ShangJing whose background is also the overall environment of Chinese sitcom, are in line with cultural needs of social and times. They can't change the survival situation, but vertify the huge evelopment potential of Chinese sitcom, and bring the reference and inspiration to the overall development of Chinese sitcom. Innovation of sitcoms directed by ShangJing based on succession, is the need of development, is also the way to opening up the new vision of Chinese sitcom.