In The Changing Of Morinhuur

The transmission of a Morinhuur (a bowed stringed instrument with a scroll carved a horse's head) has become one of the most important components of social culture in Inner Mongolia also the Indispensable aspect of the vicissitude of China strings even a typical representative of Music Culture in Northern minorities of China.The study of this article is just the Inheritance and Changes of Morinhuur which is one of the National instruments at the background of the transition of social culture in modern times. This kind of transition mainly referred to the changes of Morinhuur which is reflected in instruments shapes,play method,Recital Forms and Transmission mode with the gradually changing of social culture such as ideology, social system and social structure from the autonomous region has been set up in Inner Mongolia.Writer would locate the object of this study as interpreting in some aspects which Morinhuur making the corresponding changes and during this changes how much of music culture can spread over in the process of social transformation from the hundreds of years of during the founding of the autonomous region.Passing through the description and discussion of the process of changing extended the current situation of traditional music culture of ethnic minorities under the multicultural impact today and effectively promote the theoretical study and protection of traditional music culture.Whole article consists of three parts that are Introduction, body and conclusion among which the body is narrated by three chapters. In introduction part to limit the study object and limitation of time and space, research status and research purposes, research methods and research significance also to give a brief introduction to the arrangement of chapters. The first chapter, before described the historic inheritance and change of Morinhuur in Inner Mongolia firstly analyze the three terms Khur,Chor-type instruments and Morinhuur to definite the connotation. By clearing the subordinate logical relations and evolution lay the foundation for the theory of whole text. Furthermore, making a Research-type analysis literarily to the origin and changes of Chor-type instruments and describing the relations between Music cultural backgrounds and other folk instruments.The One hundred years of historic changes of Morinhuur in the region of Inner Mongolia will be discussed in chapter two among which related to the four parts of contents that are instruments shapes, play method, recital forms and transmission mode in order to show the specific manifestation of Morinhuur during these one hundred years.Chapter three will give a cultural analysis to the music culture phenomenon discussed in previous chapter and research the vicissitude of various kinds of music and social activities. At the level Time and space, Summarize and explain the continuance, a turnover method and significance of Morinhuur, so as to explore the method of protecting and reconstructing the traditional music culture under the social environment of Multi-cultural impact nowadays.